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A very important part of life, which has been ignored by science, and because this is a scientific society we're locked inside of, we've gotten a distorted view of it.

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And that is, there's a quality to reality that everybody can feel, everybody experiences, we all know it, and yet we get no reinforcement for its existence from the models that our culture venerates.

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And what I want to talk about is what I call novelty, or the appetite for...

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for complexity that permeates nature, that is in fact as fundamental a law of nature, if not more fundamental, than the laws of thermodynamics themselves.

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And this is the idea that nature loves complexity, and wherever it achieves complexity, in a membrane, in the center of a cell,

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in a star, in an organism, in a breeding population of animals or plants, wherever it achieves complexity, it seeks to preserve it, and it seeks to use it as a platform for further complexity.

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This is what the universe is, it's a complexity-generating engine of some sort, on all levels.

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Not only in biology, but in physics, if you look backward in time, the universe becomes more simple.

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A million years ago, there was no human civilization.

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A hundred million years ago, there were very few mammals.

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A billion years ago, life had yet to emerge onto the land.

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Five billion years ago, the planet itself was there.

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Five billion years ago, the planet itself was there.

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Five billion years ago, the planet itself was there.

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Five billion years ago, life was in the process of condensing.

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If you go back to the domain of the Big Bang, you find a world, a universe of pure electron plasmas, not even atomic systems, still less, molecular systems, all that lies in the future.

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So in a sense, as the universe ages, as it cools, it complexifies, it becomes more novel.

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So in a sense, as the universe ages, as it cools, it complexifies, it becomes more novel.

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So in a sense, as the universe ages, as it cools, it becomes more novel.

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So in a sense, as the universe ages, as it cools, it becomes more novel.

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So in a sense, as the universe ages, as it cools, it becomes more novel.

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So in a sense, as the universe ages, as it cools, it becomes more novel.

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So in a sense, as the universe ages, as it cools, it becomes more novel.

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So in a sense, as the universe ages, as it cools, it becomes more novel.

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So in a sense, as the universe ages, as it cools, it becomes more novel.

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So in a sense, as the universe ages, as it cools, it becomes more novel.

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So in a sense, as the universe ages, as it cools, it becomes more novel.

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Complexity on this planet is, finds its compressence in animal life, still more in ourselves.

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The reason I mention this is because the scientific model of reality tells you that we are the chance-created witnesses of an essentially valueless universe.

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Chance. Chance and necessity. This is the chance of science.

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But looking at the record, it appears nature favors organization, favors complexity, and therefore favors ourselves.

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Because we represent animal complexity plus culture, plus phonetic alphabets, plus high technology.

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So,

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the universe has put all of its eggs, or at least the processes of evolution on this planet, have placed all their bets in the human world.

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But this raises the stakes, makes the situation far less existential, and makes what we do with our human freedom a matter of great import.

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It turns out,

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we count.

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We are more than witnesses.

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We are more than victims.

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We are, in fact, co-creators of this universal tendency to complexification.

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And in the psychedelic experience, we see the culmination of this process, a kind of anticipation of ultimate complexity,

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where information is holographic.

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Information is holographically embedded, and all things become possible.

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All things are now possible in the human world.

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Reductionist biologists have said of life itself, it's a kind of iridescence on matter.

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Other people say mind, conscious mind, is a kind of iridescence on biology.

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These are all sort of ways to dismiss what we experience as most fascinating and most beautiful.

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You know, Plato linked the idea of the good, the true, and the beautiful.

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But it's hard to tell what is good.

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And it's hard to tell what is true.

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But it's not hard to tell what is beautiful.

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So if you follow beauty, I think you can be pretty clear that you're not going to fall too far from the path of righteousness.

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That's sort of what the psychedelic path is.

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It's the demand that things be more beautiful.

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More strange.

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More astonishing than they've ever been before.

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As we approach this evening, the world not only becomes more complex, but it moves faster and faster.

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You know the cliches.

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More change in the last 25 years than in the previous hundred.

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More change in the last hundred than in the last thousand.

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In the last thousand, ten thousand.

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Who can look at this process and assume it will ever stop?

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But who has looked at this process and asked themselves what will happen if it doesn't stop?

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Because if there has been more change in the last 20 years than in the previous hundred,

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then in the next five there will be more change than in the last thousand.

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And eventually you get to the notion of a universe.

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That undergoes half of its evolutionary unfolding in the last hour and 35 minutes of its existence.

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This is in fact the kind of universe we are living in.

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What we have been told is that a process is pushed from behind by causal necessity.

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Like a row of falling dominoes.

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Cause precedes effect.

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This is half the story.

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Half of what you see going on is simply the unfolding of causal necessity.

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But at a deeper level, the future is not simply empty space-time into which we are expanding.

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The future is pulling us toward itself.

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There is what I call the transcendental object at the end of time.

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Or the eschaton, which means the last thing.

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The last thing is like an enormous subtractor.

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Which is pulling first biology and then human history.

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And then the 20th century.

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And all of our lives embedded in it.

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Pulling us deeper and deeper into a relationship of self-reflection with it.

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In other words, we are being shaped by something literally unimaginable.

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That lies ahead of us in time.

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That three, four million years ago gently took hold of the African primate line.

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And began to sculpt it.

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And move it along certain developmental pathways.

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All toward self-reflection of this thing.

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And now we are cosmic moments away from encountering this thing.

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This is what the excitement of shamanism worldwide is now.

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Shamans are people who can see

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the end.

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In some sense.

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Not that the end is predetermined.

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When you look into the future you don't see something like the past.

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Except that it hasn't happened.

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When you look into the future you see a storm of space-time vectors and probability matrices

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that have not yet undergone the formality of actually occurring.

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That's the business of the present moment.

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To collapse that hyper-dimensional set of space-time vectors into a here and a now.

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With a causal identity and a vector toward the future.

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But we are now so close to this transcendental object that has molded the entire destiny of this planet.

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We are now so close to it.

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That all you have to do is smoke a bomber.

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Close your eyes.

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Take a walk in the bush.

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Sit on the beach.

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Pay attention to your dreams.

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Watch your mind after orgasm.

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And you will see this thing.

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Peeping around the edges.

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Creeping in at the side.

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I mean, was it Williams Wordsworth who called it intimations of immortality?

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Something like that.

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Um.

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We are not simply the victims of our past.

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This is the false truth of materialism and positivism.

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We are locked in an extremely mysterious relationship with something in another dimension.

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A dimension which, for want of a better word, we call the future.

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But in fact.

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This other dimension completely surrounds and encloses human history.

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This is what shamanism is about.

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Shamanism is where people step out of cultural time.

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Into what Marseilliat called Emilio Tempore.

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The time before.

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The sacred time.

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The paradigmatic time.

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Dream time, we call it down here.

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It's the time which surrounds the smaller.

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The smaller time of historical unfolding.

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What's unnatural?

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Nothing is unnatural except some things are less intelligent than others.

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Everything has a design.

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But elegance of design is still of worthwhile value.

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Nature.

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The interesting thing about nature is the risks that she's willing to take.

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Like if you ask yourself, what does nature do best on this planet?

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The surprising answer is it produces extinct species.

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95% of all life that ever existed on this earth is extinct.

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That's what happens to life.

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What nature has been interested in is passing on complexification of form from species to species.

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Genera to genera over very long periods of time.

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And the fact that nature will tolerate our own dear selves as a part of the natural order

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indicates that nature is a far more reckless gambler than we are.

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Our impulse is to deny ourselves, hold back.

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Nature's impulse, apparently, is to put the pedal of creativity to the metal by taking a primate

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and pushing it to the ground.

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Pushing it to the wall.

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Boxing it in.

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Raising the pressure.

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And watching the entire planet bubble its way toward metamorphosis.

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Psychedelics is to throw you back on your own experience.

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It is not an ideology.

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It is an experience.

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It may spawn this or that ideological interpretation.

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Marxists have something to say.

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Freudians have something to say.

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But it's not.

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It's theirs.

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It's yours.

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It belongs to the animal body.

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And why it's so important?

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Why it's so important is because it is a pipeline back to the greater order of nature,

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which I call the Gaian mind.

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It is the pipeline back toward a dynamic, a way of doing things that is profoundly,

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profoundly natural, profoundly appropriate.

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This is why it was possible for human beings to live on this planet for 100,000, 200,000 years,

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possessing language, theater, humor, so on and so on, everything we have,

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but not fucking up.

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Because they were embedded in, communicating with, aware of, and able to receive instruction from,

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the Gaian intentionality.

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The mushroom once said to me, I mean, maybe the mushroom, maybe the mushroom likes to

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sit on its backside, but the mushroom once said to me, if it ain't simple, you haven't

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thought about it long enough.

