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The Rites Of Spring

Terence McKenna / audio 4:26:14 ~292 MB opus 154 kb/s

A teaching retreat lecture by Terence McKenna exploring plants and consciousness. The session opens with postmodern consciousness and science's limitations before focusing on plants as conscious teachers and repositories of encoded wisdom. McKenna discusses how shamanism and psychedelic experience reveal plants as more than biological organisms, but as intelligence and knowledge systems. The talk bridges botany, consciousness, evolution, and human-plant relationships, offering perspectives on what plants might be and what they could teach humanity.

transcriptmachine-transcribed, unedited

Well, the parachute never looked more like a mushroom than it does right now.

I couldn't really see you all in the firelight last night,

so this is like seeing you for the first time.

Welcome, and I hope you feel free to interrupt what's going on at any time

and ask questions, or if something needs clarification,

please don't hesitate.

My hope for these kinds of retreats is that it will quickly become so interesting to everyone

that the presentational form will transform itself into a dialogue among many people.

It seems to me that's when it happens best,

and I don't think people would be here if they didn't have strong opinions and ideas

about probably everything which is said.

So that's the way the group mind is generated,

by everyone opening up and expressing how they relate to these things that we're going to discuss.

I guess the place to start is sort of with looking at the notion that

the dawning paradigm of postmodern consciousness seems to be the growing awareness

that we don't know what is happening at all,

that all of the models whose implications have been worked out over the past 500 years or so

have come to a place where they are now recursive,

and they no longer can be pushed forward as models of explanation.

In other words, they are completed,

and ontological analysis of how they work now shows us the limitations of their application to reality.

They just simply cannot, there is not more blood to be squeezed from the stone of science.

There may be further discoveries,

but further growth and understanding along those lines now seems unlikely,

what with complementarity principle, Bell's theorem,

the primacy of language and the formation of ontology.

All these things show the relative power of science to account for reality,

where before it was assumed that science would ultimately give a good account of reality.

So postmodern living is living in the light of the fact that that faith has dissolved away,

and that we're now living in some kind of intellectual free space or fire-free zone,

where everything is up for grabs.

And the 20th century's fascination with the archaic,

with shamanism and breakdown of perception through modern art,

exploration of the unconscious through psychoanalysis,

mass political movements,

all of these things relate to this fascination with the archaic,

which is an effort on the part of the culture to stabilize itself,

because we really have, having seen the limitations of science,

we have discovered we are in a small rowboat in a dark ocean,

and we're being swept we know not where.

So all past tradition is searched,

magical traditions, alchemical traditions,

lost philosophical traditions,

pre-literate tribal traditions,

everything is frantically searched for a key.

And while there are consoling perceptions that arise out of this search

through all this other extended human knowledge,

there haven't yet emerged certain answers about what is going on.

This is why several people last night referred to how weird the time is,

how hopeful we are with so little reason on the surface to be hopeful.

And it's because the gelling out of this historical problem is happening right now,

and it's not clear what it will become.

Meetings like this are efforts to build an understanding of it.

It doesn't appear that it's going to filter down

through the transformation of institutions of control.

It appears more like it's going to be some kind of proletarian upwelling of a shift of point of view.

Now the shorthand way of saying what I just said

is that we now know that we don't know anything.

And things like the psychedelic experience and the use of psychedelic plants throws open doorways

that science was able to successfully keep closed during its heyday

because they were areas where the number of variables exceeded science's power of description,

and therefore they said, well, we'll just keep driving straight ahead

and we'll go up those rivers later.

But now that is all changed,

and the exploration of the existential dimension of not-knowingness,

which psychedelics makes possible,

is what is forming modern people, I think.

I mean, people who will be seen to have led lives that were relevant 50 years from now

or 100 years from now,

people who had actually figured out the context of the world they were living in

and tried to come to terms with it.

And this morning I think we want to talk about plants and how they relate to the planet.

But before we do that,

I want to paint a picture for you of a mandala,

which then I will discuss later in other meetings.

But my notion of what the postmodern person's mandalic projection onto the world should be

in terms of a map of understanding

is a quadrated circle

in which psychedelics and feminism and cybernetics and space travel

are the four parts of the circle.

And in the center of the circle looking backwards in time,

there is a category that I would call conservation,

which means conservation of the planet,

conservation of traditional and historical knowledge,

conservation of values,

conservation in the sense of intelligence husbanding the planet.

and when the mandala is flipped over

and you look through it into the future,

conservation has been replaced by art.

Art is the ultimate expression of this transformation

of unorganized matter into ideas

which human beings carry on.

And we carry it on in a technical mode out of necessity,

but in the artistic mode

out of a kind of upwelling of ecstatic self-expression about the universe.

So conservation is the way we relate to the past,

and human history is seen as an object of collective artifice-making in the future,

culminating in the notion of the flying saucer.

To do this, we have to completely redesign our understanding of reality,

which in terms of practical experience will mean that reality itself will appear to be redesigned.

And I touched on this just for a moment last night when I mentioned plants

and said how admiring I was of them

because they exist on sunlight, air, and earth

and that this is what we have to learn to do

in order to release spirit out of the ape matrix that we're bound in.

And strangely enough, the way this is to be done, apparently,

is by a redefining of the nature of the biological world

in relationship to this other kingdom of being, which we call plants.

Plants represent some kind of entire other dimension of existence

of which we view the topological manifestation of the form,

but are completely occluded as to the network of energy and information that this represents.

And like the zoological kingdom, which has thousands of forms of expression

and progressively more complex forms which culminate in self-reflecting primates,

the vegetable kingdom seems to have intelligent species

and gradations of awareness in the world

so that we are opening a dialogue at the end of history

with this other form in the biosphere

which we are just beginning to cognize

as our own understanding about what the world is really about falls into focus.

And certainly a hundred years ago, no one would have thought

that this was in the direct line of historical development of the high-tech civilizations,

that they would have to explore the mind of the vegetable plant goddess

who was the only force contending with them for control of the planet.

That's what it's come down to.

So, with that kind of idea in mind, the notion of plant and planet,

which is a phrase of Anthony Huxley's, which is wonderful,

Kat, maybe you would want to talk about this.

Is this a good...

Um, yeah.

I was thinking last night and this morning about plants particularly,

because of our talks that I anticipated,

and back at the tent a little while ago,

I had a gnawing feeling that I was ignoring the animals too much,

and then I arrived here and they all began to gnaw on me.

I just got about 14 ant bites just sitting here.

You see me scratching all over.

So I feel grounded again.

I don't know about having a dialogue with the end of history through plants, actually.

I don't know about that.

But I do think that they are this obviously great and ever-present mystery,

which we ingest all day long without thinking of those as plants,

without thinking of them as sacred plants in the way that we do the sacred ones.

Their chemistry, their input, is influencing us all the time.

Whether we eat meat or not, we eat plenty of plants,

and we breathe from them, and we soothe our nerves by seeing them and being near them,

and we go out into places like this and see kinds we've never seen before,

and marvel at how they can survive.

They're real models of graceful survival, aren't they?

In the jungle, where we've spent a fair bit of time,

and the competition, it seems, is for light and for protein, I guess,

for organic matter, the animals competing.

And here it's obviously for water.

They have a kind of a deal.

If you look around under the bushes, you know,

you see wonderful wildflowers right now.

The rains have just held on.

The moisture's held on long enough that many things are going,

the short life cycle plants are going through their short, intense life cycle,

and they often need shade to do it.

So you can see, we found something that we were sure was an African violet under a bush yesterday, you know.

You can see wonderful things if you look carefully and don't bother anybody else who might be under there.

The question I've been asking of myself recently, and of a few other people,

now I have many of you to ask it, I hope I get some answers,

is how can a plant be a teacher?

I asked this of someone the other day who was deeply involved in neuro-linguistic programming,

and he got way off on a tangent about what does this kind of question mean, you know,

and just broke down every part and phrase of it.

It was wonderful, you know.

We never got to anything like what he thought about the answer,

but it does assume all sorts of things.

You have to have an image of what you think of as a plant,

which, although we have a sort of language-verified, easy answer,

doesn't really touch on the reality.

And then you, of course, have to think what you mean by teacher.

Well, I know there's at least one biologist, serious biologist, in the group here,

so I'm hesitant to define a plant.

I guess from my point of view as an observer,

I've done botanical illustration, and I really valued the opportunity I had to learn to really look at them.

And then when you think you've really looked, look closer, you know.

You could just keep on learning from them just visually that way.

But they are organisms like us that draw in all the elements,

fire in the form of sunlight and water and air and earth,

and go through this transformation of energy into something else in the same way that we do.

This moment right now is when they're doing that most energetically for the year.

They're taking that moisture in there.

You can look at each one, you know, and the leaf tips are new,

and the tissue is soft, and the colors are bright as well as the blossoming and all that.

They're also laying out the structure, as I understand it,

for that growth to become more permanent, more woody, the perennials anyway,

so that next year they'll, well, during the year they'll fill that out,

next year they'll come from that place.

They're doing this envisioning the future, what they'll have to deal with,

how to move to make their interface with it, and then how to reproduce.

And their little messages are going into the seeds coming from pollination of other plants.

So it's always, like with us, when you choose a mate,

it's your choice for how you'd like the future to be, right?

My genes, your genes, here it goes, down the line.

Really all I have about this is questions.

I hope you don't mind if I just throw questions up,

and then if anyone wants to say anything, please do, including you, you know.

One thing I wonder is, we regard ourselves as such individuals.

We don't think of ourselves as a species much.

Terence talks about that a fair bit.

But in our daily life we really identify ourselves as individuals,

as some of us having more power, more clarity, more energy, more talent, whatever.

We divide that way.

With plants we tend to think of each plant on a species basis, you know.

I wonder if, how much that's true.

Plants we're familiar with, like ayahuasca,

Banisteriopsis copy in the South American jungle.

If you want to make this visionary drink, you go and find a member of that species.

But different members have different potencies and different takes on the same kind of message.

This gets to the teacher part.

A friend of ours, Eduardo Luna, interviewed a number of shamans in the jungle.

They use this term, plant teacher, in Spanish, as we've come to use it too.

And he asked them, do you think that all plants have a plant teacher in them?

Or do you think that some do?

And they were divided on this question.

Some people think that only the sacred plants do, right?

Other shamans said, no, all plants do, just some of the spirits.

They call them the mothers, the mother of the plant or the spirit or the teacher.

Some are stronger.

So that implies that every time we eat any plant, we're taking in that teacher.

They mix these plants with ayahuasca, which already provides the vision.

Then they take a new plant that they don't know so well or that they want some particular aspect of.

And they mix it in with that and take it and feel that they're radiating what is that plant, what is the personality, whatever you want to call it, of that plant.

And that they can take on the qualities of that plant.

So I think the Indians in this area, as I understand, did that too with their plants.

They wanted to take on the quality of the peyote is a good one, you know.

I mean, it lasts a very long time in a very subtle way doing who knows what all that time when it's not being eaten by something which is metabolizing the teacher in it.

Is the teacher in it when it's just sitting there all that time?

Is it experiencing the visions that come into the animal organism that ingests it?

I mean, I don't know.

And I guess on the species and individual thing, I wonder as an adjunct to that, you know, when you grow your own plants, anyone who gardens,

if you grow your own vegetables, how they taste different than vegetables that obviously at the store are the ones,

they've probably not been grown with even the same kind of physical care, but certainly not the same kind of attention.

It's the question for me, or what always astonishes me about it, is where does the information come from?

I mean, the peyote plant or the ayahuasca vine or the mushroom growing there in the jungle or on the desert, how did it manage to tap in and become filled with a universe of alien platonic beauty?

Why is that there?

All the rules of orthodox evolutionary theory conserve only what is necessary is conserved.

So it's very hard to understand how, why a plant needs a library card, the intergalactic library, because it's just sitting there in the desert of some planet alive and living.

But each plant is different too, I mean, their library cards don't take them to the same libraries even, you know.

Each one of these visionary plants provides something distinct, and sometimes you can see how it's a cousin of that one,

and sometimes you can't see that they're related at all.

Well, isn't it that mind is somehow, at the reflexive level, chemical?

And that when you change the chemistry of the engine which is giving the pictures, the pictures change.

Sometimes it seems almost like a biological radio that you tune into very strongly broadcasting stations,

some of which are, you know, alien, high-tech, insectoid, science fiction places.

Others are jungle worlds or things that you can't even English.

Giant human teachers, I met one.

I was 40 feet tall, you know, and took me by the finger like a little child and led me through.

What was that doing in the plant?

Yeah, what is it doing?

Sure.

Yes.

When you take a longer slice, you realize that the individual, the existence of the individual is like an illusion,

and that really the planet is involved in some kind of chemical process which is like a gene swarming,

and it's been going on for a billion years with more and more animals and plants as species and as individuals

are just aggregates of genes of varying degrees of permanence.

The individual is a very impermanent aggregate of genes.

The species has a slightly longer duration.

But what's really happening is these information transferring molecules are just swarming on the surface of the planet

and controlling, as you mentioned, the weather, the chemistry of the soils, the rate of heat transfer.

They've discovered now that plankton control weather in the oceans by controlling the surface reflectivity.

The question, I think, is the peculiar dualism in the world of information.

Why does it seem that reality is not reality?

Why are there co-present?

Actually, two worlds are co-present in our experience.

This is the taboo subject that we're here to talk about.

The weird fact that there are two worlds, one of which our culture doesn't acknowledge, but we all experience.

That's a very schizophrenic situation to be in.

We all exist in both of these worlds, but our language, our culture, our institutions tell us, no, there's only one world.

We have gotten into this lethal cul-de-sac where, by not acknowledging the second world, we have veered off on a tangent which threatens our extinction now.

This obsession with control of world one, matter, energy, and the complete ignoring of the world of consciousness which stood in front of it and manipulated it,

but just taking that as a given has created this fantastically imbalanced culture.

I think that gets back to the plants as teachers, because since we do, as in your words, play with fire as human beings,

perhaps the question you were asking as to the plants as being teachers, my feeling was at the time was,

they're in communication with us as we are in communication with them.

We're all transparent beings, you're talking genes swarming on the planet.

There's no safe in which we lock our own human knowledge.

It's, we're transparent to all around us.

If you get into intelligent plants, which is what we were talking about earlier, perhaps,

I mean, if you follow that logically out, why not have teachers as chemicals?

That's how they can manifest within this particular body and do these library cards, as you were referring to.

They realize that we're doers and shapers.

Well, I think there's only one life on the planet, though,

and to say that we're separate from the plants or from this or from the air is a fallacy.

So that's a great image, the growing transparency.

That's a good idea for what the end of history is.

It's that everything becomes clearer and clearer and clearer,

and as it becomes clearer, boundaries disintegrate and everything is seen to be of the same stuff.

Well, I think for much of the world, and still, for instance, in the Amazon and other cultures,

were tuned into nature, it was very transparent for very, very long.

Progress was the losing of that transparency and the, you know, forging ahead of certain parts of it,

and almost to the point of just either eliminating to extinction or to the extinction of memory the lessons.

One day, I was just, I think I was doing bookkeeping or something very mundane,

and the little voice that interrupts every once in a while said,

a plant teacher is a teacher who has taken the form of a plant.

And then that raised all these questions for me, you know,

because does that mean there are teachers floating around looking for places to land, right,

and ways to interface with the other species?

And, you know, I mean, I've always thought of rocks, big rocks in many places in the world.

You can sit on them and you can just hear them, you know, and feel them, really.

I'm sure you know Rupert Sheldrake's theory.

Well, it's basically the idea that things of like kind resonate together.

And when I've thought about this problem before about LSD and where does it fit into all of this,

LSD is in the morning glories of central Mexico and the far Pacific.

And I think that what makes a plant teacher complex is how many people it's taken.

And that a plant that has been used a hundred thousand years is filled with all of the contents of the minds of the people who took it over that time.

But I want to introduce the notion that life, the plants and the animals are intrusions into three dimensional space of some kind of topological manifold of a higher order.

You see, the way in which a chair differs from a giraffe is that if you slice through the chair and then come back and examine it twelve hours later, it will be the same.

But the giraffe will have changed radically.

This is because by cutting into the giraffe you have intruded into the temporal dimension of its existence.

It is more like a musical note than an object.

It must be born, grow, mature and die.

And that process, growth, maturity and death, is how three dimensional beings like ourselves describe the intrusion of these hyper dimensional vortices into our world.

That's the mystery of life cannot be encompassed in three dimensions.

Life is a hyper dimensional object.

All hyper dimensional objects are organisms, whether they be societies or animals.

So the question of what is the plant?

You know, when you ask yourself, what am I?

What you immediately concentrate on is your what philosophers call your internal horizon of transcendence.

You look into yourself today.

understand yourself when we try to describe a plant we inevitably give a

topological mapping of it how it appears to us its uptake of minerals its

surface reflectivity its weight but the plant obviously experiences itself very

differently all life has an internal horizon of transcendence toward which it

aims its whitehead called it a petition it's its inclusion of sensory data out

of which it maps being but what the nature of this higher dimension is that these

vortices are intruding into our dimension from is absolutely anybody's guess I mean

you can call it a mathematical conundrum or a religious mystery but it's what's

making the world happen it's what how the mystery of our being will eventually be

shed one more level of veil to let us understand it you see an organism is a

chemical system which does not run down the the second law of thermodynamics says

that the whole universe tends toward the dissipation of structure and the release

of energy and heat and then everything all structure all energy is dissipated but the

life has achieved the miracle of by being an open system and taking material into it and extracting

energy from it and getting rid of waste life has been able to leave the main stream of thermodynamic

degradation and establish itself at an equilibrium point off that graph and maintain itself

therefore at least on this planet alone four billion years now the average life of a star in this galaxy is on

the order of two and a half billion years some last longer but that means that biology is no

epiphenomenon no iridescence off the surface of matter as the 19th century physicalists wanted to describe it it means that life is indicative of a physics of higher dimensions which intrudes into this otherwise thermodynamically degrading system which we call the physical universe

physical universe and information there seems to be an informational ghost of this universe which is somehow co-present at all points within the matrix perhaps a la bell's theorem or something like that and that's what the psychedelic

psychedelic experience shows you it shows you a hologrammatic space of information where by sitting still in your room and sending the mind you can cross the universe in an instant you know and return and the question of is this real is in bad taste it violates the two ontological categories you see

it just isn't done but you're right and but the plants seem to be the things which shake us out of these cultural conventions we have this very bad habit of of when we encounter a new experience we describe it and as we describe it we erase its reality

and replace it and replace it with a map and forever after when we encounter that input we access the map and overlay it over the thing and say hi I know what this is and and so by the time a child is five years old they have completely entered into a symbolic construct which hides the real world from them and fortunately

uh these plant teachers seem to have the unique ability of showing you the relativity of language which for us is the relativity of being and then you are freed because you have seen something incontrovertible there's no going back then you know you are that is the great first gateway on the path to realize the relativity of language and the and the malleability of

of the world of the world i mean since coming out into the desert is typical of people seeking visions the first thing you have to do is leave the polis culture is this effort to hold back the mystery and replace it with a mythology

which is then in the control of those who recite that mythology whether they be shamans or priests this holding back of reality is

the strange is the strain is what christian theologians call the fall our strange alienation from nature that causes us to crowd into cities and mint money and put a price on everything and this is why it's so important to go back to the amazon and eastern indonesia

and these places and try and understand what spark it was that those people kept you know over the millennia while we became the prodigal son and wandered into matter and to you know hoard in the cities on the plain and have now come full circle and returned at the end of history with the dilemma that we have made such a mess of things that there's nothing we can do now but later

each stage is a greater distancing from the wellspring of being and it's brought us you know to the valley of dry bones to the valley of the apocalypse

and now the fat is in the fire now we'll find out what stuff man is made of as the chickens come home to roost

roost but well no i i'm very optimistic i just metaphors

is it my metaphors or my pessimism oh the horrible metaphor

the rhetorical hyperbole

unbridled

i'd like to ask a question about this uh this two world thing

because um it interests me really do you think that there's two worlds or that there's um many many worlds

yes well i i think you're right i mean but there are different orders of different worlds

i mean i i guess it was the physicist wheeler who thought that every time there was a choice

the universe took both paths and had always done this so that the number and kinds of universes was uh you know staggering

right i don't i find that cumbersome

and uh but there certainly seem to be a number of of universes and there seem to be different kinds of universes

for instance uh you can tune from channel to channel but some of them you can't make heads and tails out of you know

it's just too far away from your conceptual schema for you to be so it's sort of like watching uh ideological mandalas or something

you can't say much about it afterwards but it certainly was compelling

and uh well i don't know robin you've you're such a skillful questioner you've brought yourself to the doorway of my most recent mania

maybe i should unburden myself briefly about it

one of the weird things about about growth or trying to make your ideas always become new

is that you always assume you're going to uh to uh know what the next step is

that even though you're going to become more and more enlightened there won't be any surprises

in and uh so a few weeks ago i was meditating in my usual fashion and uh

i began to get this new idea which was so weird that i immediately shifted into

this is this is not the truth this is not a transmission about the nature of reality this is a plot

for a science fiction novel that i that i should write and tried to hold that as the defense that was my shield against the onslaught of this thing

and i've never been one for atlantis or lemuria or all these invisible prehistoric lands and places that people enjoy so much

but i was told a very funny thing which i will share with you it's uh a funny idea

now let's see how does it go

it has two versions one of which speaks a scientific language the other speaks a mythological language

okay so the scientific language goes like this

there's something in the universe called a fractal soliton of improbability

this means it's a unicate event it only happens once in the lifetime of a universe you can think of it as a wavelength with one wave

that's why it's called a soliton

and if one of the and these things move not in ordinary three-dimensional space but but in some kind of much higher spatial manifold

and when they collide with a planet or when one collides with a planet in a universe

the time stream of that planet is divided and two copies of the entire planet spring into existence

without either having any knowledge of it it just is something which happens

so this voice was telling me that this had happened to the earth and that this was the secret that we were all striving to understand

was that an event in the past had actually divided our time stream and that a twin of this planet had come into being in another dimension

okay so that's the scientific explanation of it so the mythological explanation was

that there that the universe it's gnostic that the universe is the creation of a demo urge

not the highest expression of divinity but a kind of demon a fallen creature

and that this demo urge was able to coax itself into being and actually incarnate into history as a human being

and that when this happened this was then the mythological expression of the fractal soliton of improbability

and when it happened the time stream split

the universe is the creation of the demo urge and the demo urge impelled itself in in the form of an individual

right and this is sort of you know waited a long time

when you're a demo urge who can hurry

okay go ahead

okay so so the time splitting event had to do with the career of Christ

who was an extraordinary manifestation of energy in the historical time stream not to be

confused with a Buddha or a Mohammed or a Zoroaster who were great saints and it was something else

it was in some sense what it claimed to be but in some sense okay so now at the moment of and you can choose

either the immaculate conception or the resurrection depending on which side of the bed you got up on today

but at that moment the time stream split

and this other place came into being without having any awareness that

and they were identical at that moment these two worlds

now Christ had no children

so

oh what I forgot to say was

that the event the fractal soliton of improbability has this quantum mechanical half charge

so that in one of the universes it happens

in the other universe it doesn't happen

and so everything about these two worlds was the same except that in one of them

the immaculate conception had not taken place or the resurrection had not taken place

now because Christ had no children

in the world in which he was absent

it was not a genetic line which was missing

it was an ideological line

which never received expression

and consequently as time passed

first decades and then centuries

the absence of this particular intellectual influence in the world

changed the world

radically

in the following way

Greek science did not suffer the suppression that occurred with the conversion of Constantine

the academies were not closed

the hermetic knowledge was not repressed

conversely the empire was stronger and was able to repel the barbarian invasions of the 2nd to the 5th century

and mathematics which had halted in our world at Diophantus proceeded through his disciple Hypatia to develop a calculus by AD 370

so that the millennium of Christian stasis that occurred in our world did not occur in that world

and as time passed and engineering advances occurred by around 850

they had ships which were able to cross the Atlantic Ocean

and they encountered the Mayan civilization reaching its fullest flower on in Guatemala and on the Yucatan Peninsula

and in fact in this vision I saw the Roman Emperor Cosmodorus V make a pilgrimage to Tikal in 920

to be present at the coronation of a king at the end of Bakhtun 8

anyway

this Greco-Roman imperial culture immediately recognized the genius of the Mayans in mathematics and astronomy

and

and Europe was

transformed into an amalgamation

a Greco-Mayan civilization with

so let me see

and

and this civilization continued to develop now one of the influences which the Mayans brought into Europe around the year 950 was their

extremely sophisticated psychopharmacopeia and shamanism

and this

mated with Neoplatonism and Hermeticism so that rather than science developing as it developed in our world

a kind of magical psychopharmacolitic technology of thought and understanding was what was developed over the centuries

and then in later centuries centuries centuries before it happened in our world they contacted the Orient and the Sun the dynastic influence of the Sun poured itself into the creation of a global civilization such that by around 1200 AD they were able to land on the moon and create a cybernetic global civilization similar to the kind we have now they continued to land on the moon and create a cybernetic global civilization similar to the kind we have now

they continued evolving with all this psychotronic and shamanically derived and now by this time you can imagine it was an unbelievably exotic and alien civilization compared to our own the fruits of their psychedelic and psychoanalytic investigations into higher space was the discovery of our world they found out what had happened they figured it out and

by studying dreams by studying dreams and by making deep journeys into the psychedelic space they were able to discover our sleeping unconscious with its repository of the legacy of the Christian centuries under the reign of this demoergic ideology

and they conceived of the notion of saving us and it it has to do with this whole thing about the UFOs and influence in dreams and astral traveling and the other side is actually the manifestation of this bizarre greco-mayan postmodern star-faring civilization trying to reach across

the dimensions to save us from the dimensions to save us from the momentum of our history by making us aware of first of all their existence and also their technology which is evolving toward a point where I think around the Mayan millennium around 2012 the time island will be we will flow past the time island and the two time streams will be rejoined

and we will make peace with this civilization which is now a thousand years more advanced than us with this totally different cultural history and this completely different take on reality so this came to me in the space of about fifteen seconds and more details have flowed in and I use it mostly as a meditational device because it's so interesting

about how this civilization about how this civilization developed

it's amazing exoticism you know it's neoplatonism it's Taoism it's Mayan influences melded into a completely different kind of civilization than the one that we inherited I've always thought you know that the that Christianity without making any judgment about Christ himself

that Christianity is hands down the single most reactionary force in all of human history and where would we be had that twelve hundred years not been given over to this peculiar meditation you know all the pieces were in place for the kind of civilization that I've outlined it was just a coincidence

a coincidence

cat does not endorse this idea or even encourage it

he only told it to me a couple of days ago in Apache Junction in a truck stop or something you know and he didn't tell me it's the plot for a science fiction novel he said this is the truth and then I said let's get back to it being a good science fiction novel

yeah

well the thing is that it would on our level explain perhaps the questions you were asking earlier of why the teaching plans

sure

another thing I was curious while you were talking about this is the physics of nowadays you know it's like if you have an electron on one side of the universe and split it into two and separated by the universe they're still in communication with each other so is that why logically you can bring the time island back together again

yeah this would be a quantum mechanical super macro physical bell's theorem event

a kind of a kind of hyper dimensional vacuum fluctuation where the two worlds spring apart sail along for a period and then parity is conserved and they're rejoined

well this is interesting I've had dreams that are parallel what you're describing here and it's very interesting that you bring this up I've not heard of it before

another thing I was curious is like this takes place

this would be on a human experience level

what you're speaking of now

the plant kingdom

would they remain in

connection between the species

we're free to have it any way we like

how has Christianity possibly affected the evolution of plant species in this time stream

as opposed to the other have they gone on

how is our lack of say a hundred thousand or a million species in the last

two hundred years

that the other planet has

how does that affect the parity between the two

you mean how does our destruction and contort

well the part of the myth that I didn't tell you which I will now tell you

was that naturally

well they were developing and exploring technical options many hundreds of years ago

and they

theoretic they discovered the theoretics for nuclear fusion and fission

but they never used it

until

a few hundred years later

one of their great theoreticians

this was after they had discovered our time stream

made the prediction that the physics of atomic explosions were such that they would cross the time stream

and so they performed an experiment by detonating an atomic device in what is our year 1907

and this was

the Tunguska

event

and then by monitoring the dreams of Siberian Shaman

which they had in clear focus

they saw

aha

this explosion which we set off actually did occur in both time streams

and at that point

they became very interested in monitoring our time stream

because they were picking up the dreams of a Swiss telegraph worker who seemed to be pushing toward an unimaginable conclusion

so now there is a certain amount of urgency because if we explode our atomic stockpiles

it will wreck the place that they call home world

water

yes

not self-preservation because they now have star flight and encompass many systems but preservation of home world

which on the other side is a vast botanical and ecological preserve from pole to pole

I mean it's a sacred site of pilgrimage

it's the home of the species it's the earth and the notion that suddenly great parts of it will be blown apart

by leakage from hyperspace of one of our atomic wars is impelling them now to attempt to open the doorway

and rejoin the time streams and will be allowed a few years inside the botanical park to acclimate and then most people will ship off for the stars I imagine

the British science fiction writer Ian Watson has a wonderful book called Chekhov's Journey

in which he talks about the Tunguska event and his theory is that it was a catastrophic failure of a Soviet time travel experiment

conducted shortly after the turn of the next century

tough one to prove right

obviously why didn't we think of that

well I mean I'm not sure I've thought of that before you know it's the claim of Christian theologians that Christ

comes in the center of history they speak this same language before Christ

no souls were entering heaven he freed the valve and now it's possible to enter into heaven before his intercession that was impossible

you're right but that's where I left them was pre-Vatican Jews

before I had this idea I had another idea which I'll tell you which is a completely different kind of idea

and it's the idea that there is an over mind this doesn't involve other dimensions there is an over mind co-present on this planet

and when technology when the development of technology exceeds the development of ethics

ethics then this over mind can work miracles and because the over mind is plugged into each of the individual minds that compose it

this miracle always has this unbelievably creepy quality of being exactly the thing which would convince you to change your mind

I mean in other words it's like it reads you so perfectly that it's able to present the one situation which you cannot refuse

so in the case of Rome it was that you know Rome was a pigsty

Pasternak called it a bargain basement on two floors

it ran on slavery and it ran on brutality and captive populations and an outrageous garrisoning of military power in foreign lands

and people like Diophantus this mathematician I mentioned and hero of Alexandria these people were on the brink of the calculus

and the steam engine so the over mind seeing that and seeing their appalling ethical state

sent the miraculous personage of Christ who in a world where information could not move faster than a horse's gallop

this religion within sixty years was beating at the gates of Rome itself

it was like fire you know just burned through the empire and changed everything and halted technical advance

and everything stopped

now I created this idea in an effort to explain the UFOs

because you know the new theory of UFOs or the new school of UFOs says

we've been wrong to ask what are they that has not been fruitful

what we should be doing is asking what are they doing

and we can analyze what they're doing in the same way that we can analyze what anybody is doing through sociological polling of human populations

we can find out what the flying saucers are doing

so they polled human populations and what they discovered is that what the flying saucers are doing is they are sowing disbelief in science

they cause people to not believe in scientists

because scientists come up so lame

when asked to explain flying saucers

it's like it is to

the flying saucer is the confounding of science

in the same way that the resurrection

was the complete confounding of Greek stoicism

and democracy and materialism in the Roman world

and it's conceivable you know that the flying saucer

I mean the statistics are now something like twelve eleven percent of the American population have seen a flying saucer

fifty two percent believe flying saucers are

推 LOL

five eight

all one

alright

everything is going to be done

let it free

please

if you leave theと思います

you have a pain

the

real whatever and so forth so it is a faith which is percolating up from the

lower levels it's people who live in trailer courts and read fate magazine who

are the staunchest believers in this thing but what it may be is an

intercession on the part of the overmind which it can do anything it can

do anything from our point of view and in in the most extreme version of this

idea I said what if enormous spacecraft were to fall into orbit around this

planet and what if television images of this craft were to be beamed into every

home on the planet and then a teaching revealed some completely mind-boggling

thing which you could have thought of it yourself but you never did which is

always how these things are and and then set and then after 30 days of melting the

nuclear arsenals and causing all cancer to appear and curing all infectious

diseases and delivering this message the enormous spacecraft disappears 30 days

so then everybody says my god we have been abandoned we have been abandoned again

into time and you know history would halt everybody would do nothing but study the

teachings of the saucer and trying to figure out how we could get right with

them to get them to come back dogmatism theories of communication priestcraft the

whole thing so you see though I'm fascinated by the flying saucer and the and what it

says about the malleability of mind and matter I think mature civilizations should not

be haunted by messiahs or flying saucers that these things are like metaphysical spankings imposed from

on high that I designed saying you know here it's a boot in the tail wake up you know stop repressing

well let's take you to ideas and it's neither one of them is that old and what does the other mind

have to do with or think of the double time stream now that's a question I never would have asked you

mean if that's true I sort of think of these as well actually exclaims the earlier one was that the

other mind was injecting forces of change or conservative conservatism into the world the other that

events that came from now that was from the demiurge is demiurge related to the other mind no I think

the demiurge is like a negative expression they created the universe how did the other mind get

in there to be running the earth at least well I think if the overmind as the logos you know it's the

it's the understanding and self existence which permeates everything and the demiurge is the force

of matter and time and cosmic destiny that is always trying to lock in the logos and condition it and make

it subject to the rules of the of the physical universe of space and time and the logos is like

something from this is all gnostic theology by the way this is just straight from the book the logos is

trying to struggle through the labyrinth of the material universe to escape to rejoin the real source of

itself which is outside of matter matter is viewed as an entrapment if any of you have read the late works

of Philip K Dick he was probing in these areas he was a genius his book velus is pure exegesis of his internal

he unravelment of what was going on and he believed his take on it was he believed that from AD 69 until 1948

no time had actually passed and that we were living in apostolic time and that the crucifixion lay only 75

years in the past and that the demo urge had inserted the false history and the Nag Hammadi manuscripts he

believed were actually the logos as printed letters and that when the when the Nag Hammadi manuscripts were

deciphered it was like this informational creature would come alive and again be present on the earth that

the logos beginning in 1948 was beginning to infuse everything and that shortly it would dissolve the

illusion of the intervening 1860 years or whatever it was and then we would realize that the prophecy would

be fulfilled and that the last days were upon us that's right that's right he didn't get around to the

Antichrist to to his credit probably have to distinguish between Christ the person the teacher and this thing

called the Christos which is this archetype of such power and force that immediately people of ill intent could get lined up behind it and impose their will

yeah sell love and sell forgiveness and you know what what a scam and and the the Christos is the thing history is ruled by the archetypes which people can generate I mean

most people are very ordinary I mean you're Mick Jaggers and you're Henry Kissingers they're very ordinary people but they are able to project an archetype you know and that is the thing which sets them sets them apart and and when that reaches the kind of super intense focus that you get in a Mohammed or a Christ well then you know history is just putty in the hands of the

force not the person the person the person is usually martyr in some horrible way but the the the archetype take draws energy to itself and to and we don't understand how this process works if there ever is developed by benevolent or malevolent forces a science of social control it will be a science of knowing how to project archetypes and and and

different archetypes different archetypes apparently are suitable to different times I mean you could almost posit an astrological theory of archetypes but it's something about how you know what's appropriate for the first century AD is not appropriate for the 15th

and but when the archetype is appropriate nothing can stop it we what the modern term for archetypes is paradigm and we expect it not to be a person not a messiah but an idea which will save us all in which then gives us certain affinities with mystical Judaism where the messiah was seen was expected in the form of an idea and this is sort of our faith we're messianic

messianic ideologues or something like that

oh I agree with you I think ultimately all dualisms have to be dissolved in the in the notion that you know there is one thing I mean that's the platonic faith the problem is all these secondary and tertiary operational levels where you know we're trying to actually operate in a universe of scarcity in a body which requires energy and all these things

this isn't this isn't this is really the central problem in Western thinking I think is the tension between dualism and unity and matter and spirit and how do you handle it I think you know that we are spiritualizing the

spiritualizing matter this is what technology is and that the spiritualizing of matter is the highest expression of our technological output and that this will become more and more what we are about so that in the next century the difference between mind and brain and cell and machine will all have been subsumed under a new vocabulary because we are hardwiring our mind

and we are making the artifacts of our culture intelligent and we are breaking down the barriers between ourselves between ourselves and larger data bases and this kind of thing so that the old I'm an ego inside the skin definition gives way to some kind of much more malleable and plastic thing

it's it's the definition of relationship quality by opposition it's polarity it's right wrong good bad male female

russians Americans the aquarium one which is the two lines of waves over each other is one of resonance and it's one of dolphins jumping in the water together it's one of people coming together and realizing

like how I resonate with you and what I have to give you and you have to give me but you'll have something to give me that other people can't and so on and we need to swim together

and that breaks down all of the the dualist bonds that and I think we're right at that that crux right at the moment and that place between Pisces and Aquarius where we're kind of two worlds again flipping from one side to the other of opposition being torn from life and death and

and seeing as the Christ I feel was that that that prototype that template of light and spirit with matter coming together and saying I can dance in this and I can leave it and I can come back into it I have this power it's my conscious

compassionate love that is just so unbounded that it gives me the opportunity to to play in clay if I choose

much of what I say is Alfred North Whitehead his philosophy and believe me if you're looking around for a serious ontological foundation you don't have to read Sanskrit

Alfred North Whitehead will serve very admirably science in the modern world process and reality he was he was and remains the greatest

psychedelic philosopher of the 20th century in the era of Bergson you had another question

you had another question yeah I'm going to be 84 in the year 2012 and I'm wondering how best to manage my life so that I'll be ready for that

time crescent well I don't know I think that the wall the canyons of the creode down which we are as individuals are moving those walls are

getting higher and higher too a lot of times when I had these intense contacts with the teaching entity I would have an anxiety about what is what should I do what is it for me to do and it always said nothing relax your function is to just you'll be present where you are necessary and I

and I really this isn't a fatalism this is a kind of recognition of the dynamics of time that the thing is trying to teach you see it's trying to say that if you understand how process works you will always understand where you are in any given process and then you won't have anxiety about not occupying some other point in that process you know

but when I began having these ideas the only way I could previously relate to the notion of the end of the world was that I had a head full of cartoons of bearded men in sandals carrying signs on street corners saying repent repent and here was I you know former Marxist former this former that espousing these unimaginable things

and there was a wonderful book there was a wonderful book called the pursuit of the millennium by Norman Cone in which he details the history of millenarianism that's what this phenomenon is the belief by a person or a group of people that the end of the world is about to occur and it existed among the jews of the post exilic period

that gave Christ the early patristic Christians lived in the eminent expectation of the end of the world and then during the medieval period the most utopian prophetistic millenarian movement before Marxism was

Floraism or the people who followed the teachings of Flora who was a wandering monk who predicted the end of the world

let's see I think for 1244 and he died in 1222 and but his followers carried on and the pope had to send out armies to quell

uprisings as people wanted to distribute the wealth because they felt the end of the world was upon and why should anybody go to work and you know this sort of thing similarly in the year 1000 there was great expectation but of Christ's eminent return so this is a thing which the human mind at least in its western expression seems to seek to do Islam too has its apocalypses

but 1967 wasn't that I mean I thought it was happening I thought we were months away from a new secular order for the ages

but my theory of history views these things not as evidence against such a thing occurring but as evidence that it will occur that these uprisings and outbreaks of irrational expectation of the millennium are in fact the

temporal reflections they are catching the light on the temporal prism from the object at the end of history which contains the apocalyptic scenario

it's very important to manage the apocalypse and the millennium it's very important that people not confuse the cleansing flames of transcendence with the ability to use thermonuclear weapons against your ideological enemies

it's a very delicate matter because it's a very delicate matter because our mythologies and our fears run so deeply but I think that it's an awareness of this

of this potential of the existence of this law of temporal compression and of course institutions don't promote millenarianism because institutions want people to invest their money at low interest and long term and to

not have the expectation that everything will carry on pretty much as it has

but an existence of this law of temporal compression and of course institutions don't promote millenarianism because institutions want people to invest their money at low interest and long term and have the expectation that everything will carry on pretty much as it has

but an examination of the last 500 or 1,000 years of human history would lead anyone I think to the conclusion that everything is going to be swept away and everything that replaces it is going to be swept away and that everything that replaces it is going to be swept away and that everything that replaces it is going to be swept away and that we

and everything that replaces it is going to be swept away and that we are just

moving in to an era of change which might as well be called apocalyptic and

must be made millenarian otherwise it will just end in some kind of gotter

dammerung and and the worst boogeyman of Western culture will emerge and

and destroy us I know how the wave all comes together and accelerates toward

this transition point I never call it the end because then the beginning of a

new series of many leveled waves that's right I guess I believe in flux and so

the whole process is one wave at that moment we begin another process sometimes

you discover you discuss that point as being the end of the universe she did a

little while ago and sometimes I feel like when you're as close when everything

is accelerated like it seems to have recently and you're as close to a moment

of transformation of some sort as we see seem to be you see great strides

forward being made and great slips backwards being made all at the same time

right it seems possible that the transformation will be not so

fantastically physical as the end of the universe or turning inside out of the

whatever this is but but actually just a sweep through you know worldwide peace of

mind what if that occurred you know and that's large enough to qualify it seems to

me for the changeover in the wave yeah I think it's very the hardest thing to

know is the nature of what this ultimate compression is what it means I mean it

could like one way I imagine it and that's why I love to quote Joyce about man

becomes dirigible I imagine it as the day when your mind becomes your home you know

and all over the world people just realize that now their mind is their home and you

feel free to describe that as as the end of history or the end of the universe not the

end of the universe the end of history because I think history is some kind of

involvement with matter it's a wrestling with the angel of matter and the end of

history is when you pin the angel of matter to the mat and then you stand up and you say I am the

endemic human being made of light and you leave the realm of matter and return to some previously hidden

dimension Whitehead called these things epochs these long periods of time and he called transitions from one to the other a shift of epochs

well we've only been doing things like measuring the speed of light since 1910 or something like that all the

so-called constants of our physics are based on miniscule periods of actually monitoring these things to see if they are constants and so I can

imagine it as a shift in the laws of the universe that somehow cause consciousness to perceive itself more as it must truly be and I'm always trying to to find physical models for these transcendental hallucinations and the one which fits this is a few years ago

this Scandinavian astronomer Hans Ulfven wrote a book called worlds and anti-worlds

and in it he talked about what's called a vacuum fluctuation a vacuum fluctuation is where suddenly out of nothingness there emerge a stream of particles and they are equally particles and anti-particles and they sail along for a period of time and then they collide again in the

and each particle is destroyed by its anti-particle

and so what is called parity is conserved meaning that when you add up all the charges positive and negative you get zero

so it's okay that this matter came from nothing and returned to nothing this violates no laws as long as parity is conserved

but the interesting thing about this phenomenon which is called a vacuum fluctuation is that there seems in quantum mechanics no rule which would limit the size of such a phenomenon as this

so it's conceivable that our entire universe is an enormous vacuum fluctuation and it's just you know 10 high 72 particles have emerged from nothingness and are hurtling through space

and in another dimension a parallel dimension the anti-universe which is the twin of this universe is also hurtling through space and at some point in future time completely unpredictable

from the state given within each universe the two will collide and all uh and parity will be conserved and all particles and anti-particles will disappear

however the interesting thing is that photons which is what light is composed of do not have anti-particles they're this one weird exception

so that when the universe collided with it and its anti-matter twin what would be left would be a universe made only of photons

and those photons would be in the configuration they were in in the moment when the cosmic collapse of the state vector occurred

well we have no idea what the physics of a photonic universe would be about

a limiting case or a good first try would be that it would just be nothing and no life and no self-reflection and no more

but why pause at that there's such a persistence in in the perennial philosophy of the notion that spiritual development is somehow related to light

and to the cultivation of inner light and to the creation of light bodies and the stabilizing of light

so uh you know it's possible to suggest that the you that the world of the imagination is simply the world of internal light

that it's a world where light is manipulated by thought in the way that in this world

physical organism manipulates matter and so that you know you live in the radiant castles of the imagination

after a shift of epochs in which the the photonic mode predominated that's just one way of imagining it

it's one of the richest meditations there is to try to imagine the millennium again it's this thing what would you have if you could have anything

i mean sometimes i imagine it you know hieronymus bosch's great triptych the garden of earthly delights where men and women of all races mingle among giant wrens and strawberries and feed each other pomegranates under an autumnal sun in an endless rolling park-like world of exotic vegetables and sexual excess and

hard stuff to be

and uh

you can really take a readout on yourself by

by seeing how would you like things to be you know i mean i have

sometimes i my fantasy is

i would like to be

alone on a starship

ten thousand light years from home with all the books in the universe and i would dress like captain ahab and i would

stride around the catwalks inside this echoing starship and faithful robot slaves would bring me

crumbling volumes of ancient lore which i would say no this is a little too vincent price how about

i love uh if any of you are into science fiction the science fiction of cordwayner smith is really wonderful and one of his stories uh the starship is uh george washington's estate mount vernon in new york and it's all exactly like mount vernon in washington's time except in the library of the big plantation house there's one room from which the thing is controlled and it's actually a starship in new york

and it's all exactly like mount vernon in washington's time except in the library of the big plantation house there's one room from which the thing is controlled and it's actually a starship in mid-flight

more questions about this time theory or

yes i have a question yes

you mentioned here how the now

is flooded with future perception

yes

and

i have a question

yes

i have a question

yes

you mentioned here

how the now

is flooded with future perception

yes

and

i have just

it's really part of the tibetan

practices but it's always something which

captures my imagination

it's just

how come

it's now

now

and

the

the fact that

these future perceptions are so

tremendously tangible to us especially while sitting in meditation or while

eating a meal even or something and there's this

how come it's not yesterday

and how come it's not tomorrow

and how come that

i'm here now

when

i just have to flick my mind and i'm in yesterday

and

equally

easy and tomorrow

i wonder if you have anything to say on that one

well i think that

life proceeds through time

it's an effort by

organism

to map something one dimension larger than itself

so it takes a whole life to do it

a life

is an effort to map

a something

you know

and the now

is the moving edge

of the mapping process

you cannot map it instantly

or you would be it

and so what

to

what being in time is

is

is experiencing the

incremental

mapping of this higher order object

and that's why hopefully a long life would give wisdom

because a person would begin to get the whole picture

you know

yeah

that's very much idea

yes well what did plato say

that the present is the moving image of eternity

that

that's

pure good platonism

it's like a projection

much as our shadows are through the mountain

well you can think of it as a

you can think of the now as a kind of

laser

which is moving over a larger surface

and illuminating it

you know

scanning it

it's scanning something

and it takes it a while to scan it

and then at the end all the data is in place

and then you say

oh yes

I see now

what the object

of cognition was

and

we

our faith is

and there's no reason to doubt it

that this is a great

transcendent experience

this is the resolution

the peace that passeth understanding

as you sink into death

it's just that we like to think

that the psychedelic experience

gives us a preview

no one escapes

you know

the final realization

it's just

no one escapes

you know

the final realization

it's just that some people do postpone it to their last act

but there's no reason for that

because

it is the mystery

the culmination

it is

the date palm

and the wellspring

I'd like to

I'm always interested in pursuing things from the Mayan

so I'd like to

ask about

how this theory of time relates to the individual

somewhat related to BJ's question

there's some sense I have that

in their techniques

and certainly you've experienced

and other people have experienced this with the mushroom

at high doses

of

traveling through time

and actually

seeing the future

or

seeing the past

and I

I was

I wonder if you could say more about that

and some framework for understanding how that is possible.

Yes, well, I think psilocybin seems to be the great teacher of history

and part of its teaching is history.

It views a person without a history as a person with amnesia,

a person with a diminished capacity

because your history gives you the power of your convictions.

The way I use the wave, or the way I've been using it recently,

is to try and study the time immediately ahead of us

so that we don't misjudge what's going on.

And, you know, it's a mathematical process.

There's no indeterminacy about it

if we anchor the whole wave system on 2012.

And what I see from that anchorage point

is in the 67-year cycle from 1945 to 2012,

we have reached that point

which resonates with the larger 4,306-year cycle

at that point which corresponds to the collapse of the Roman Empire

around 475 AD.

In other words, we have been through a period of imperialist expansionism

which has lasted for a number of years,

certainly since the beginning of the 80s.

But I see a retrenchment of that

and a recidivist tendency,

a tendency toward religious fundamentalism,

rigid social structures,

and in short, the sorts of things

which could be seen as valid resonance patterns

to the early medieval phase of European civilization.

The period from AD 474,

let's for shorthand call it 500 AD,

the period from 500 AD to 1500 AD,

in other words,

to the discovery of the new world by Columbus.

That thousand-year period

is the resonance that we are going to experience

from now to the late 90s.

Around 1998,

we will reach the beginning of the Renaissance

and the discovery of the new world.

But we are going to have to endure

a period not entirely to our liking.

We represent the pagan Hellenistic spirit

which has held full sway within the empire

for the past 25 years.

And we may feel constricted now,

but I think that our ideas

and our position in society

has further constriction to undergo

before it re-flowers downstream a bit.

So when I first realized that,

I felt very pessimistic.

But then I asked myself,

well, what aspects of medieval life

could I groove?

What aspects of that medieval eschatology

were solitary to my needs and wishes?

And I discovered that, you know,

it was an age of great mystical faith and illumination.

It was an age of communities

of like-minded people seeking transformation

far from the turbulence of the collapse of the empire.

So I am not of that scoop.

My theory leads me away from those people in the new age

who think we're about to be catapulted

into the corridors of power.

I think that's preposterous

and the evidence for it is zero.

Well, and I think better we should tend our gardens

and form brotherhoods and sisterhoods of affinity

and realize that the task of transformation

is one of a lifetime,

our lifetimes, you know?

And every time someone like Dick Price

or Tony Lilly moves from the wheel,

I always wonder, you know,

how did it feel to know it wasn't finished,

you know, to go with it undone?

And, oh yes, I have no doubt

that when the saucer comes

that Tony or Dick will be in control,

one of them.

What is it Bob Dylan says in his song,

Ezra Pound and T.S. Eliot

fighting in the Captain's Tower.

But yes, so I don't know

if that answered your question, Robin,

but I wanted to get it in

because the real meat for most people

for this idea about time

is not the mathematics of it

and the symmetry of it.

That's only pleasing to a certain mentality.

But really, what does it tell us

about the years immediately ahead?

And what it says is, you know,

consolidation, illumination,

community, and self-discipline.

I can only say thanks a thousand times

that we don't have to go through it

for a thousand years

and only for like 15 years.

This acceleration seems to me

to be very, very convenient.

Imagine if we were born in 500 A.D.

and we had to look forward to that.

Yes, well, that's why I say, you know,

imagine the people who lived in times

when the temporal river was stagnant

or even when countercurrents swept it backwards.

In other words, this is the anguish of the ancestors.

This is the sacred trust that must not be betrayed.

The pogroms and the invasions

and the atrocities conducted across history

can only be somehow redeemed

if we, who are the living wavefront

of this genetic experience,

do not fumble the ball, you know.

All our ancestors are watching

to see how we will do.

Okay.

I would like to address Robin's question as well

because it seemed like you were asking

sort of on a more mechanical,

how does this happen?

Well, yeah, how can it be that the Mayans

or we on psychedelics

can travel through time and see these things?

My image for it,

it explains that phenomenon to me

and I've had the same experience, past and future,

is, well, Terence was just referring

to the temporal river,

is that it's a river which flows two ways

from the past to the future

and from the future to the past.

And if you put yourself out in the middle of it,

let go of control,

let go of fear,

and maybe you want to choose your orientation

or maybe you don't.

You can just find out where you flow

or you can sort of face the past

or face the future and flow there.

I mean, this is not a physicist's explanation

of how this happens,

but it seems to work that way, you know,

and that we think perhaps far too much

of the past creating the future

and that we should think more

and perhaps other people have

of how it's flowing the other way.

And this is how some so-called primitive people

have managed to conserve

the very simple, effective beauty

of their lifestyle

and that real strong feeling

that every moment is now

because they're thinking of it simultaneously.

I think of that

and that also sets my mind off.

That's kind of like the river's flowing both ways

and if you kind of take a step to the side somehow

that you'll catch the current from the future.

That's appealing,

but also, I mean,

I always play with these metaphors

and maybe I'm literalizing them too much.

Is it possible to step out of that stream

in some way

and then looking above

and sort of choose

where you're going to descend into it

or another image that came to mind is

are there somehow

holes in the fabric of time

that you can shoot through

sort of like in 2001,

the Stargate opening up

and there's this hole in between

and where you emerge

is not the other side of it

but someplace completely different.

If you take the wave seriously

and apply it on these short scales of time,

you know,

you can find your way

into, yes,

unique configurations of the moment.

It's like astrology in that way,

you know,

and often the content

of a psychedelic experience

can be later seen to be

because of the situation

of historical resonance

that you weren't perhaps

even aware of at the time.

Or if there are parallel worlds,

one or many,

which ones happen to be adjacent

at that moment

in the cosmic weather kind of,

you know.

Sometimes I've taken the mushroom

just to say,

like a weather person,

to say,

okay,

I just want to see

what's happening out there right now,

not with a will in it,

you know.

And then,

you know,

you can find that it's about

knitting in your rocking chair

or you can find that you're just

on some landscape

that you couldn't

at the same time before.

The essence of Tao

is the correct

apperception of process.

That's what Taoism is,

is to understand process

is to be a Taoist.

And I think that this is

almost a formal rendering

of the notion of Tao,

almost an effort

to create a mathematics,

an algebra of the Tao.

and as long as it's true

to the notions

which Taoism conserves,

which is of flow

and determinacy

within indeterminacy,

it serves.

This is what

understanding time is,

is to understand process.

But to understand it so well

that it's like a sense for you,

it's like seeing.

This is the kind of seeing

that is very important

to see into time.

It's what history

and culture

have experimented with,

but it's what we now,

by identifying that

as what is going on,

can accelerate much faster.

Anything else?

I was, you know,

just picking up on

a conversation

with Michael this morning.

Maybe you could talk more

about the other.

Oh, the other.

Well, I'm not sure exactly

what he meant

by talking about the other.

I mean, the other

is just a way

of thinking

about all of these things

that we name

spirit,

God,

demon,

void.

It's that

there just necessarily

is a place

off our map.

Whenever you have a map,

it implies

the part that is not

on the map.

And the other,

the truly other,

is,

it lies outside

the domain of language.

It's like the unspeakable.

All you can do

is point at it,

you know.

And the Gnostic idea

of God

was that it was

totally other,

that there was nothing

in this universe

that gave any clue

whatsoever

as to the nature

of God,

that that was its essence,

was to be

completely other.

But, you know,

the other trickles

through and reverberates

in our lives

in all kinds of dimensions.

I mean,

the first other

that you meet

is the world.

And at a later point

in your development,

your attachment

to another human being

can become

a confrontation

with the other.

So it's just a way

of shorthand

signifying,

right?

The dimension

that carries you

beyond yourself

into the things

that you previously

couldn't expect

or imagine.

Yeah,

that's one notion of it.

Or Wittgenstein's

unspeakable.

Or,

you know,

I always,

I'm fond of quoting

this poem

by Trumbull Stickney

where he says,

I lean over

your meaning's edge

and feel the dizziness

of the things

you have not said.

That's the other.

It's the dizziness

of the things unsaid,

the things that lie

beyond the edge

of meaning.

Part of the question

has to do with,

specifically in

the mushroom experience

of my dose

is this sense

of alien intelligence

or other.

Because I think

in, you know,

it's like you said,

in some of our systems

of conceptions of God,

many psychedelic experiences,

at least with LSD

and other,

or light dosages,

is that I am connected

to that

or that I'm part of,

I'm part of that thing.

But somehow

on the tryptamines

that it's

this alien intelligence.

I mean,

what do you make of that

that you feel

is important?

Well,

I don't know

quite what to make

of that.

LSD is self-reflective

and integrative,

I think.

these tryptamines

seem to be

informational

and largely

unconcerned

with the impact

that the information

they carry

has on the perceiver.

I don't know.

I think it just

must have to do

with the fact

that the universe

is not

all smoothed out

and filled in

and that this is

really an area

of personal exploration

where you can

penetrate

into an area

of terra incognito,

a place

where nobody knows

exactly what is

going on.

We're not used

to that experience.

We expect

to have maps

of everything

we look at

and everywhere

we go.

And it is strange

that in this one area

we don't,

that apparently

our taboo

against looking

at the unconscious

or delving

into the mind

has made us

content

to just

fence off

this area.

Well then

if you climb

over the fence

and start wandering

around out there

you don't know

what you're going

to find

because the culture

has carefully

engineered itself

to go around

all of this stuff.

Even,

even I think

shamanism

is largely

concerned

with gaining

power

to protect

yourself

from the onslaught

of the other.

You know,

they're very

concerned

to hold

stuff back.

They don't really

have this

let's hurl

ourselves

into it

attitude

that we have.

We found

in the Amazon

we were looking

for this one plant

which had

DMT in it

and the

ayahuasquero

that we were

working with

I kept

leading the

questioning

back

to the matter

of this one

plant

and finally

he said

first he said

that it was

comida del

pero

food for

dogs

and

which seemed

like maybe

a put down

of some sort

and so then

went back

over it again

and he said

whoa

it's mal and bizarro

it's too strange

so this was a man

whose whole life

was about taking

ayahuasca

and triggering

hallucination

but he felt

that to go

into that plant

it was too

weird

and you often

have the feeling

with those people

that they

involve themselves

in the psychedelic

effect

like a dancer

almost as little

as possible

to get the job

done

you know

they don't

I don't

think that

of Don Fidel

I think that

in that one case

he certainly

was

he did also

seem to hold

the mushroom

in the sort

of middle

category

but he would

use it

on his own

he would only

administer

to others

ayahuasca

or certain

things that he

felt very

familiar with

but then

that was

Saturday nights

Wednesday nights

he would do

things on his own

you know

his work

and he would

try out some

of these other

plants or combinations

but I think he

was pretty intrepid

actually

he did have

boundaries

in 83

or whenever it

was that I

was down there

last

we were dealing

with a different

group of shamans

on the upper

Ampeyaku

and it was

to get this

orally active

DMT

thing

that was made

from tree

resin

and we

had

pure

chemical

DMT

as a

trade item

or we

weren't sure

why

but just

in case

we needed

it

exactly

and

and so

talking to

the shaman

who could

make the

varrola paste

stuff

we said

this

and he

said

oh

you

have

the

essentia

you

have

the

essence

he said

yes

and he

said

so

what

is

that

like

he said

well

you don't

take it

orally

you don't

take it

by mouth

you smoke

it

he said

oh

and what

happens

and so

he described

a typical

DMT

trip to him

and then

said

would you

like

to

real crazy

by any

means

well

I'm reminded

of

in the

latest

Castaneda

books

he goes

into

what he

calls

the

old

seers

and the

new

seers

and the

old

seers

were

maybe

you're

more

aligned

with them

I don't

know

but

they

would

be

willing

to

explore

any

territory

and they

made

a division

between

the known

and the

unknown

no

it was

the new

seers

who came

up

with

the

third

category

of

the

unknowable

in other

words

there's

this

reality

which is

the

known

and then

there's

the

other

realities

you

go to

which

are

the

unknown

it's

like

they're

not

necessary

it's

like

maybe

the

ayahuasquero

takes

you to

the

unknown

but

this

other

realm

where

place

of

the

unknown

they

could

glimpse

very

briefly

the

unknowable

and it

was

usually

a pretty

shattering

experience

I put

great

emphasis

on being

able to

distinguish

the

difference

between

the

unknown

and

the

unknowable

he said

that

whenever

one

made

an

error

in

judgment

it

wasn't

that

dangerous

to

be up

against

the

unknowable

but you

have to

recognize

it

as

unknowable

because

whenever

one

did

it

invariably

led to

disaster

of course

that's

cause

you

that's

his

text

well

that's

interesting

I mean

it makes

me think

of

you

know

I

mentioned

Wittgenstein's

unspeakable

there

is

I

think

the

unspeakable

and

the

unspoken

and

all

these

esoteric

and

initiatory

religious

numbers

are

trading

in

the

unspoken

you

know

you

come

to

them

and

they

will

whisper

in

your

ear

the

previously

unspoken

teaching

they

will

give

you

an

oral

empowerment

but

beyond

that

lies

the

unspeakable

which

transmissibility

by its

nature

and

I

would

to

some

degree

I

would

think

so

and

that's

the

thing

which

then

you

validate

you

can

only

validate

it

for

itself

in

itself

for

itself

it

is

the

private

object

of

being

it

is

not

something

which

I

can

tell

you

about

or

you

can

tell

me

about

it's

the

private

mystery

that

is

ontologically

private

because

it's

unspeakable

I

don't

think

that

what

is

the

unspeakable

is

the

same

as

the

unknowable

I

think

that

all

of

us

who

have

pursued

these

dimensions

have

many

experiences

that

it's

very

hard

to

talk

about

or

when

you

talk

about

them

you

know

it

sounds

so

silly

compared

to

what

you

experienced

right

it's

one

of

the

challenges

of

having

this

kind

of

group

discussion

or

these

kinds

of

workshops

is

to

try

to

talk

about

that

but

there

is

I

think

a big

area

that

just

doesn't

language

don't

you

think

the

ineffable

is

how

I

think

of it

another

word

for it

well

you can

sort

of

chip

away

at

it

I

mean

the

whole

progress

of

human

development

is

into

the

spoken

I'd like

to speak

about that

that's what's been

going on in my

thought

and I'm glad

to use that

because

in a way

that is

the process

of everything

from the

very beginning

to the very end

we as human beings

on the planet

are just

somewhere in the

middle of this

whole process

of the unknowable

becoming

the known

and

it ties back

a little bit

to your whole

thing of time

yesterday

where you said

like the

physicists

are interested

in the

first

second

or

parts

thereof

whereas

you're

interested

in this

final

or

coming

up

moments

or years

as things

speed up

but

what we're

looking at

is

the

physicists

are looking

at

basically

the

physics

of it

the

form

whatever

the matter

the physics

and

what you're

looking at

are the

ideas

which

are

coming

into

being

more

and

more

this

end

of time

is

more

and more

recognition

so it's

really

so it's

like

the

opposite

end

one

is

the

matter

coming

into

form

at the

beginning

and then

at the

end

is

the

knowing

of all

of this

which is

coming to

a point

and

like

an ant

or whatever

lower level

of consciousness

is

on different

levels

or I'll tell you

a cell

an amoeba

they have

their

thing

and then

there's

their knowable

which is

what we are

acting

in

how can

even

inside of

our body

the blood

cells

can they

know

of our

world

knowledge

such as

we are

on this

unknowable

is really

just a greater

universe

a higher

level

which is

known

by a higher

way of being

and it's

so it's like

from each

end

whatever

the matter

here

and then

the mind

coming into

it

and like

this point

coming up

shortly

this 2012

is significant

in that

it's

possibly

some sort

of

like I say

this opposite

end of

knowing

becoming

complete

like life

becoming

completely aware

of all

life

of itself

but that's

like

is that

the end

of everything

it seems

like that's

just a point

like a mid

swing of a

pendulum

yes well

then some

other process

having to do

with the

career of

spirit

instead of

matter

is initiated

you know

and whether

it's the end

of everything

is rather

a human way

of approaching

it

of us

as a species

as a

life

development

it's not

just human

it's all

life

of the

earth

life

entity

but if

that life

entity

goes to

a great

metamorphosis

it's rather

meaningless

to say

what happens

to the rest

of the universe

since the rest

of the universe

right now

is a concept

in our mind

but to say

what's never

been said

to do

what's never

been done

to paint

what's never

been painted

to dance

what's never

been danced

this is

you know

somehow you're

acting for

everybody

when you do

that

it's an

amazing thing

to do

something

that's never

been done

it means

once you've

done it

it's been

done

that's right

putting the fence

it's like a fence

going out

bigger and bigger

and like all

these great

minds that

go out there

and fence

off a big

area for all

of humanity

to run around

in this area

of being

and knowing

and it's

this whole

process of

it's what

aeronautical

engineers call

stretching the

envelope

when you fly

a fighter plane

you have

the predicted

engineering

performance

characteristics

but once you

validate that

it can do

that then

it's up to

the pilot

to find

out

to stretch

the envelope

to find out

what it can

really do

how fast

it can turn

how fast

it can climb

and that's

what we as

creative artists

do for the

human enterprise

and the lacking

ingredient is

courage

I think

I mean

I

for you

often

I have the

feeling that

it's no longer

at least in

my own life

about seeking

the answer

it's about

facing it

you know

it isn't

about you know

is it yoga

is it Taoism

is it this

is it that

I think that

now I know

at least for me

what it is

but the answer

is so appalling

and requires

such courage

to execute it

and carry it

through

that I don't

know what to do

I have no

doubt

that

we could all

become

the Taoist

hermit

on cold

mountain

you know

and be that

person

of whom

people in the

valley say

oh him

we see him

sometimes

when it snows

very deeply

because he comes

further down

for wood

he comes and

goes in the

mist and never

talks to anybody

we could all

become that

person

there are no

barriers to

ultimate spiritual

attainment

but what about

you know

your mortgage

and your lover

and your devotion

to french chocolate

and

all of these

things

that's tricky

that's very

very tricky

learn how to

make

all washes out

maybe just

for an hour

of peaking

but it's really

puts all of that

in perspective

but for instance

like the matter

of the flying saucer

I have no doubt

that if you took

ten people

selected

from this group

and trekked

days east

of death valley

and

you know

stayed up

all night

and then

everybody took

eight dried

grams of

mushrooms

and hooped

and hollered

and waited

that something

would happen

that would be

so appalling

and so destructive

to our preconceptions

of what's possible

in this universe

that you just

come out of it

you know

pointing into

the desert

and saying

mmm

but

I'm careful

I don't

doubt

that appalling

appalling

things

can happen

and that reality

can be completely

pulled to pieces

and I don't know

what that means

but I want

to really

try and deal

with that

on my terms

and that's

a kind

of fear

you know

it's a kind

of holding back

that's why

you know

I know

people

who seem

to me

superhumanly

reckless

I mean

they tell me

the things

they do

and I just

shake my head

you know

because

of the

power

of the

vistas

of the the the energies that they must have laid their hands on I don't it's too

much for me I want I'm a simple scholar and bookish collector type I'm like

brother John here we like our home and hearth but that's the challenge you see

that's the weird thing about the psychedelics it is a path but in a sense

it's the end of the path and then what do you do you know now it's up to you

it's no more about you know the guru says in five years you'll make progress or

if you just keep eating the spirulina or fiddling with your crystals or something

it's that no you've arrived now what do you do with it are you really want to be

a wandering figure at the edge of civilization glimpsed occasionally in

your tattered cloak with your wild ravings and we were talking about envisioning

something and how these plants help you to to generate a vision of something real

that you want to create or organize in the world and then they help you to have

the discipline and the dedication to carry them out in the real day-to-day you know

telephone calls and how do I get the money for it kind of way and that I think

is is a real strength that all of us have and that it's one of the

responsibilities of being granted the visions is to make the visions then as

real as you can I mean we do have our bodies here on earth for some time to

come we do have pleasure of course which we should all indulge in but we also have

responsibility to make it as as much like even if it's a small step as much like

that fantastic thing we can see in our visions and and I think that you know it

gives you the object and then it helps you move toward it and then we need to do

that work and keep refreshing our vision if it gets weak or we start to give up on

it or or if we need to shift direction slightly I go back to astrology in Saturn

being drawing a ring around the vision and then Saturn stairway envisioning the

steps that it takes to get there and that how that you can't jump you know 40 steps up

without losing part of the foundation and then as an artist myself I'm finally

getting to a place of patience and realizing that the slower it goes the

better it gets and the statement that I like is if I only had more time I use

less words to write it's like choosing things carefully and allowing the process

and it's very for years I was just like I've got to get this out I've got it you

know not anymore it's now I'm really seeing that slow patient steps create a

foundation strong enough to someday even if it's not in this lifetime to manifest

that dream if you if you use the quality of your daily life as your currency for

how you're proceeding towards something then you you know if the quality of your

daily life is good deep satisfying and you have a goal you're probably on the

right path right if you're saying god it's just gonna be hell for three years

so I can get this project together you maybe should think about it again I've

actually done process reflected on a greater scale in just the evolution of

life itself and that if life were to very quickly achieve the knowing pure

spirituality then what good is it and that's like through humans and through

all of our history and time and so even this coming moment 2012 that might just be

like this reflection of another even more ultimate it most likely is and it's just a

certain it's just that reflection it is really this endlessly drawn out patient

process which is taking its time as long as possible so that every aspect will

work into place well this quality of daily life thing is an interesting point

because I think it was yesterday or two days ago we meditated or thought about

what would you do if you could do anything and how oh there it is

yes and how you imagine or if the genie were to suddenly tell you you had not

three wishes but thousands and you would begin to dabble in fulfillment and then of

course in the the all the trivial and superficial things I mentioned palaces

and Ferraris and all this but then things like that you could move anywhere

instantly how would you choose to travel if you could move anywhere instantly and

things like that well at La Cerrera these possibilities were so real to us that we

actually grappled with it sufficiently to see how it would develop and how it

develops is you discover that if you can do anything the only values which have any

meaning if you can do anything and have anything are aesthetic values so that if

you could travel anywhere instantly how would you travel you would walk obviously you know

because it's so tasteful because it's so completing it's such a complete reverence for

space and time and your own body and the correctness of the situation and time and

time at La Cerrera someone would be doing something some way and someone else would

say well if you're omniscient why don't you just make it be done and the answer is

because that's it's crass to do that you know the way to do things if you can do

anything is to do them right then cooking is like that I guess but that that that

realization of the total richness and correctness of the moment is that's the

correct interpretation of the attainment of these cities at things would go on at

La Cerrera as an example of how the Tao works where I would walk out into the

jungle and there would be butterflies circling and I would hold out my hand and speak to the

butterflies with my mind and invite them to come down and land on my hand and display themselves

and the butterflies would do this they would come and land in my open hand and turn and strut and show

me all facets of themselves and this would go on for like two or three minutes where I would

experience gratitude reverence delight and then this other emotion the need to show somebody else what I

could do and so then I would I would walk back to the camp and smiling with a bizarre inward smile I would

select one of my camp mates and ask them to walk out into the jungle with me and then to their horror I

would stand underneath this tree and gesture and ask for the butterflies to come down and land in my hand and

people would just turn away in a mixture of horror and embarrassment that anyone could be such a jackass

first of all and that anyone could be so mentally deranged as to operate like that and of course the

butterflies would have nothing to do with me and and and I would just be left just just sputtering you know and and it

happened many times many times oh no oh many times because there was this you took people and were left sputtering or

like that it was not only the butterflies it was that as long as I didn't have as long as I had no ego

I could work magic but it was not it was magic that was the necessary magic it absolutely had no use other

rather than to make my life a more perfect work of art as an example we had a pot in which we cooked a vena oatmeal every

morning it was our magic pot and the scrubbing out of this pot was a major pain in the neck and was consequently a

rotating camp duty so in the height of this it became my turn to scrub this pot and I went down to the little spring

where the sand was and squatted down by the water and I picked up the sand and I rubbed it onto the pot

to get ready to scrub it and then I looked and the the black stuff was just flaking off it was like easy off or

something and it was just and I just took the pot holding it by its two little protrusions and immersed it in the spring

like this and looked and all the black stuff was just flaking off and crudding off and going and I

was just amazed you know the magical scouring agent so then I went back to the camp and got my most severe

critic and again smiling with inward benigness I led them down to the river and said I'm going to teach you how to wash a pot

the zen master you see so we squat across from each other by the spring and I and I pick up the sand and I put it on and

and she said so I'm supposed to know that sand can wash a pot I think no look and again it failed me you know and I just was

and I just was then by then I was getting the message and I I stopped and there was one other instance which was very puzzling

because I actually saw another person go into it too and it had to do with this prophecy which my brother had made he one of the motifs which circled in his mind space during the

space during this period was what he called the good shit and this was he am claimed imagined that at some time in the past he had gotten a sample of

afghani hash that had had cow manure very very carefully worked into it and then the hash had been infected with the psilocybin mycelium and all of the cow manure had been

converted into psilocybin so that he had the psilocybinated hash and he had this notion that he would invent a musical instrument like an electric guitar

which when you played it it would cause this stuff to condense out of the air and rain down on great crowds of people

so anyway there was this thing about the good shit and one night he announced that the good shit would appear at a certain time

and so then I went back to my hammock in this hut in the jungle and the woman who was with me came as well and we had no watches

but he had said that 11 that at 11 p.m. the good shit would appear so I was settling down to roll my evening joint and it was this

Columbian weed that we had brought in with us and as I lit the joint this little thing fell out of the end of it on the floor burning and I picked it up and I smelled it and it was

unbelievable hashish I mean hashish to die for and I was just you know and I put it in the pipe and I smoked it and I said to this woman I said smoke this and she agreed that it was astonishing

your major critic no not my major critic my major critic was back at the river so then I looked and I and I opened this baggie with this stuff and I started smoking it and it did not

it didn't change its physical appearance it still looked like this Santa Marta gold but the odor and everything was just the most the finest hash I've ever smoked

so I thought that the millennium had come so I thought that the millennium had come but forever after we would all trash yes the end of the world is when all trash is

Mazar-i-Sharif when trash becomes hash but but at the crack of dawn the next morning I went tearing down to my harshest critic and knelt beside her

hammock and woke her up and said you know you've got to smoke this and of course you know garbage was back

so so I don't know why I got off into this I guess it was the life is art thing and this thing about what would you do if you could do anything

you should just enhance that little story with the myth isn't it from New Guinea about the good shit do you remember that one where they generated

you mean the thing about the resin where the resin bar grew longer I'm not sure how this relates to it but I'll tell it

in the study of messianic movements in fact you can read about this in Sylvia Thrupp's book Millennial Dreams in Action where she talks about a number of millennial religious groups

there was a movement around 1910 in Java called the Kalupan movement and it was some guy was sitting on his porch one day in a hut off in the jungle and he was playing his flute and they collect kopal

in the forest there and sell to traders and as he was playing his flute he noticed that this bar of rolled out kopal multiplied to twice its size right in front of him

and not only did this happen but at the same moment it happened his mind was flooded with the sudden realization that the meaning of this event was that all human lives

were now going to be twice as long as they had previously been before and he started he told people in his village and he had the proof because they had this bar of kopal that was twice as long than anybody ever rolled them in that village so it spread from village to village and before long people from all over Java were vectoring in on this place and

eventually the army had to be sent to put up roadblocks and turn people back and it all had to do with this piece of resin which had doubled in length while this guy was playing his flute

and that is what's called a cognitive hallucination

a cognitive hallucination

where an idea becomes so real to you that you see it but then there's this funny border where maybe it becomes so real that other people see it and maybe that's actually how we keep enlarging and complicating reality is by having consensual cognitive hallucinations of what's possible

that's right that's right that's right yeah the the ayahuasquero that cat mentioned that we like so much and worked with in peru don fidel he lived behind he lived off this road when we knew him a few miles down this trail and we would go over there often and walk with him back and forth between there his house and where we could catch these little jitney buses into town and he said one afternoon as we were walking along through the amazon jungle

apropos of nothing he said this is the path that christ walked when he lived on earth and it became so you saw that somehow this was not a logical statement this was a statement about the transposition of time and dimensionality and that he was living in the light of christ that he was living in the presence of the master

the master through being enveloped in a cognitive hallucination and i think our entire culture is headed for being enveloped in a cognitive hallucination where our real wishes will be fulfilled and that's why it's so important to to find out what our real wishes are

one of the most powerful forms of yoga one of the most powerful forms of yoga one of the highest yogas is what's called the Anuttatara Yoga Tantra

and it involves a series of visualizations and they say

imagine your home as a splendid palace

and imagine the common utensils of your everyday life as golden vessels vessels of beaten gold encrusted with jewels imagine your raiment as being made of the finest silk and imagine yourself as a god centered in the midst of all of this splendor

well this is like trying to induce what in western psychotherapy is called a delusion of grandeur

a delusion of grandeur is when you're a hell of a lot happier than other people think you should be

you know

and

you say what do you have to be so happy about

and it's all about infusing the quality of life with greater purity

we were saying around the fire last night that the way to relate to the millennium

is to make it happen as soon as possible in your life so that you become a spectator to it as a historical phenomenon

well the main way to make it happen in your life is to not transcend desire but transmute it so that what you really want is what you actually have you know

i find um on these plants on the mushroom particularly i found it effective to um will choose to become an archetype that i both of course have to be able to identify as an archetype but then also one that i can relate to and wish to be and and become you know as large

a hundred a thousand times larger than we are and as smooth and as everything is right you know you can you can practice being in the dao so deeply in those states and knowing that everything you do no matter how minuscule it is you're doing most gracefully and everything you say you're saying most eloquently and

you know even um you know even um i've used the mending sock thing because i sometimes i feel like that's what i'm doing is that level of work but then i'm doing it perfectly you know and that's that's a great feeling if you indulge in that feeling of being the goddess or a god or goddess or a one of whatever you identify with you know one of the kachinas whatever then you can um carry it back

it's a really good way to carry it back it's a really good way to carry it back into your daily life and and uh i and learn to practice it either in moments when you're wobbly and you suddenly need to grow into the situation or in moments of ecstasy you know i mean to be archetypes making love is pretty good

well that's the technique of tantric practice of imagining these gods in union with their consorts in sexual union

can we have a break yeah let's have a break

and i think we're all dancing around it very well and i think you're dancing around it really well and so i think we do know something not a lot perhaps but we do know something

words are that important and do have that meaning meaning whether it's what we're saying that is true or just the sound of our voice that is true something is true we're here getting to say the unsayable

and what a feeling it is yes well we feel the dizziness of the things not said we feel it we're dizzy from it it's here

it keeps forming it's like a creation of words thought ideas they attack themselves with larger structure and keep getting larger and larger pieces fall off people add

um

But it's just trust, it's that leap of faith to the other side of what you can't see, what you can't understand.

To trust it, as you trust your lover, as you trust a friend.

And it doesn't always work out, but trust is the only way.

Because otherwise, there's only fear.

Fear of ourselves, fear of others, fear of ideas.

I think this community is part of that, of building trust among people who have different ideas.

I'm teaching with regard to the psychedelic experience.

You can use a lot of verbiage in trying to explain to people what that search is about, and what that adventure will yield.

But in the end, probably the best communication is to just dispense the sacrament.

I think it's very holy work, and I just want to express my appreciation to those who are involved in that work.

There's great respect for the sacrament, and for those to whom they dispense it.

And I'm just very happy to be associated with your works.

I think that's something I've missed for a long time, since the days of the 60s.

It was the last time I was around people who knew about that work, and approached it with the kind of reverence that I see here.

The great thing about the psychedelics is that they speak for themselves.

So they need no priest, no interpreter, they can deliver their message all by themselves.

What happened after that song, it seemed to be so wonderful, which words may be unspeakable with being together in silence.

It's like nothing else to say.

For me, who's always babbling, it's quite an event.

Well, it's wonderful to feel so comfortable with people that you don't have to rattle on.

Why don't you lead us now, Kat, in a meditation?

Hold hands.

We've seen many eggs in the last two days, and had the pleasure of holding them and swallowing them.

Spoken of luminous eggs, and it seems just to be very eggy today, right?

Resurrection and all that stuff.

So I was thinking that our luminous eggs should meet each other in maybe a less verbal way.

If we close our eyes and find your center, the light, and let it swell out into your egg, your shape,

and then you feel that light of yourself moving into your head and letting everything else out of it.

You can breathe through the top of your head and through your forehead and your eyes

and let it become, let your head become like a cloud of light.

And when that's strong, that floats up above your head until you have a sphere of light

that you can feel and see just above the top of your head.

It seems to get more and more charged as you perceive it.

And then it grows.

The light is growing.

The sphere is growing rounder and fuller and softer until it meets the lights of your neighbors.

And we have a huge halo over us together.

If you travel through it in your light, you'll encounter everyone very softly.

And we can charge that halo of light to be stronger and bigger than us.

I feel like it becomes a sphere, a dome above and beneath us, which meets the light of the spirit of this place,

the spirit that lives here.

It's partly in the earth and partly in the air and very old, wise, with a sense of humor.

And so we're all inside our collective luminous egg, which we could take anywhere, actually.

But perhaps for now we should just greet the spirit of this place

and gradually breathe and draw the white light energy back into ourselves, into our circle

and into our individual spaces above and through and beneath us.

And when we go out and sit on the rocks alone, we can keep doing this, even though we're not in a circle.

It's good to connect with all of you.

Thank you.

You were suggesting that this kind of visual language, somehow, our future lies there somehow.

And I know that Jose Aguayas talks about the future of technology being light and sound

in probably the same way that you're talking about it.

I guess my interest in formulating this question has to do with things like the Mayan hieroglyphic

language system or also Egyptian hieroglyphs or basically that kind of visual language system.

I also think of Northwest Coast Indian designs where there's very particular kind of design patterns.

And another piece of this question is the interface between the past use of that and the future use of that somehow.

That it seems that, I mean, my sense of these hieroglyphic languages is that in the past they would literally see these things that are being drawn

or these things would speak to them or provide information as you're talking about.

And that somehow, as we've evolved, we've lost that ability somehow or buried it or shunted it off to one side.

And so my question has to do with, is there some sense of the re-emergence or the, in the Joyce sense,

here comes everybody, the democratization of that ability in future culture?

Yes, well, I think so.

I think that the way these hieroglyphic languages, especially Mayan and Egyptian, differ from alphabetic languages

is that etymology remains on the surface in a hieroglyphic language so that thousands of meanings

are immediately, visibly present, and so it's more like an ideogram rather than a word with a dictionary meaning.

You couldn't really, I doubt that a Mayan could conceive of a dictionary of Mayan glyphs

because they're, they're, they infinitely shade off one into another so that, and, and that kind of sensitivity

to the depth of language and to the presence of the past in the present in a word

is what Joyce is trying to do in Finnegan's Wake, you know.

And that's why, if you read it carefully, you feel many historical layers of meaning in the same passage

because he wrote it with almost a pictographic consciousness of the meaning of the words

rather than a lineal and literary sense of it.

So, yes, it's in, in that sense, uh, it's like that.

How this will be achieved in the future in our culture, I'm not sure.

The control of the Macintosh through an internationally set of, an internationally understood set of control glyphs

is very weird, and if any of you have worked with a Macintosh, you immediately see, ah,

this idea which seems very odd could, in fact, I could learn this very quickly and, and anyone can do it

kind of thing, maybe presages a, you know, a world of illiterate computer users

who, who communicate with computers through symbols because literacy has been lost.

But, uh, it's, it's very interesting. Yeah.

So you see computers might play a role in that kind of, um, visual component.

I've heard you talk about, actually, Bruce, when you asked your question about will, will computers become intelligent in life,

I've heard you talk about it more that, um, we, the technology of computers will become available to us

as almost a biological extent of who we are. Yes, that's what I think will happen, that,

I mean, my vision of a perfect world is where, you know, the Earth is restored to its prehistoric,

Edenic perfection, but technology has not been eliminated, it's merely been micro-miniaturized to the point where

the computers which maintain the history of the race and the governance of the planet

have all been secreted in a certain pebble which lies on a certain beach somewhere on the planet,

and we walk around in perfect harmony with nature and in perfect and complete touch

with an imaginary holographic world that is our self-expression, as a city is our self-expression,

to then be simultaneously, you know, in the world of techni and in the world of nature,

but with neither violating the other. And I think that's reasonable. In fact, I think, perhaps,

in a sense, this is what, uh, so-called pre-literate cultures in the Amazon and places have achieved,

that's how it looks to them from the inside. They have an extremely rich inner life. It isn't maintained,

by vast computer networks, and projected into holographic space, and taped onto magnetic tape, and all of that.

But it's still, in feeling, it's the notion that the richest world is within, and that you, uh, promote a balance with the exterior world,

but then the purpose of the leisure created when you have achieved balance is not then to accumulate things,

but to explore the interior horizon of transcendence through the recitation of myth and ecstasis and, uh, and this sort of thing.

Terence, in connection with Robert's question, conjunction with it, could you further elaborate this idea of the material externalization of the soul and the internalization of the body as a definitive thing in evolution?

as a definitive thing in evolution?

Well, I think imagination is, uh, where we want to go,

that this has become the arrow of our epigenetic development, because everybody says,

in the future, you'll have everything you want!

Well, if we believe this, then we have to think seriously about what everything you want is.

I mean, obviously, you want plenty of food, plenty of clothes, plenty of money, plenty of friends,

but then, if you get all that, and then they say,

well, you still, you haven't even dented your credit account.

Well, then it says, well, I want to live at Versailles,

surrounded by brilliant robots who,

and I want great writers and artists to have lunch with me every day,

and then, and the Hope Diamond, and Rembrandts,

and eventually this becomes very silly,

and instead there is an ascent toward truly grandiose aspirations, you know,

truly bodhisattvic calling.

And I think that, uh, that this, the rich, the imagination is the real frontier.

This is why the poets and the artists are, uh, are so important.

And, and this is why I think one of the aspects of the space thing

that is never mentioned by the L5 Society,

or any of these engineering types who are so into it,

is the interesting thing about outer space.

We are not going to go through space to other worlds.

That will be very incidental to going into space.

Going into space means going into space.

That space itself is a medium with unique properties for a species such as ourselves.

And one of those unique properties is that engineering,

which on the surface of the planet has to always be cognizant of, uh,

stress and bearing loads and the limitation of materials,

engineering is just going to become like ballet.

And objects miles in extent can be created that are obedient only to the laws of the human imagination.

And of course the, the, the funding available to create these things.

But in other words, the constraints of nature are pretty much lifted.

Outer space is very much like what you see when you close your eyes in a dark room.

It's a vast, unfilled void into which anything whatsoever can be projected.

The hallucinations of the individual are, are the cultural artifacts of the species 500 years from now.

I mean, all these visions and dreams that we have will be realized.

I mean, in ways that we cannot imagine, but realized nevertheless.

This has been consistently what has been going on.

The alchemical dreams of the 16th century are fully realized in the 20th century, you know.

And of course it has facets that they never imagined.

But, uh, going into space and going into the imagination is the same thing.

And in the same way that, um, the New World presented a tremendously tight genetic filter to immigrants,

so that only the soldiers of fortune, the religious fanatics, and exiles came to this place.

And that created a unique gene mix.

Space is going to be a much tighter genetic filter.

I mean, most people who go are going to be very smart and very healthy.

And, uh, and, uh, very quickly, I think, a space type will arise.

But I don't think you can create a space-based civilization without recourse to psychedelic plants and the psychedelic experience.

Because it's too much the same thing.

You know, without, if you don't integrate psychedelics into the leap to space,

and realize that what is happening is that more and more we perfect the, uh, aspiration to vertical ascent.

In the myth of Icarus and Daedalus, you get this.

Then in the Brothers Monc Gauphier and their gas-filled balloon.

And then the Wright Brothers, and then the Apollo Project.

All of these things are, you know, this aspiration to ascension.

And it is, uh, apparently a biological drive.

I mean, some people have suggested it's a nostalgia for the canopies of the rainforest that no longer exist.

But whatever it is, it's going to take us eventually out to the stars and inward to the stars.

Because, uh, you know, the real question mark which hangs over all this is the nature of mind.

And we do not know what mind is.

And yet everything goes on upon the stage that is conditioned by and assumes mind as a given.

And, uh, every society has assumed that it had the answers.

That just fifteen years more of fine-tuning of the current ideology would do it.

And no society has ever been right about that.

So why should we be right?

We are hurtling toward an unimaginable future in the same way that our present would have been unimaginable to people two hundred or five hundred years ago.

But it is, uh, it is the imagination because it is consciousness that is growing and expanding and strengthening itself.

And if we take the notion that these, uh, psychedelic plants are consciousness-expanding agents.

This is what they were originally called consciousness-expanding drugs.

If you take that seriously for a moment, how can you not center it in your life?

I mean, obviously consciousness is what must be expanded as fast as possible at all costs in all times and places.

Because it is a lack of consciousness that will, uh, be toxic to our species and the planet.

Consciousness is the saving grace.

And so it has to be cultivated by any means, uh, available.

Yeah.

You're saying that this urge to go into space is something like a biological urge.

And also maybe something relating to, like, the rainforest.

Well, I think we're like the trigger species.

Yeah, well, the point I want to make is that, you know, when we think of going to space, we're so human-centered.

And it's like, yes, us as humans can exist in space and exist there.

But I think what's really important about going away from this planet's surface is that it's not just a human-centered thing.

It's a totally biological thing in that we are just the implements of it.

We are the thinking, conscious, creative tool-makers that will be able to implement this, getting off of this gravity trap, this gravity well.

But it's not just for humans. It's for all life.

And we have to, it'll be a complete synthesis of all biological life that will exist away from the planet.

If we go to space, we will take everybody with us.

Just like in a rainforest, it's not just, it's everything.

That's right. We are the species that is deputized to use energy to do the thing for all life on the planet.

That's why I am not pessimistic about history.

And I don't see history as unnatural or somehow opposed to nature.

What history is, is a 10,000 year process by which the monkeys attain enough understanding of physical processes to build the habitats into which all life on the planet can then migrate.

That's what I was talking about this morning when I said, I think the planet senses the finiteness of its existence and that biology is a wild scheme for getting out to the stars for dispersal of life.

And you're right. No, we, though we have great hubris and believe we are doing this and man will go to the stars.

It's more that man is the pecking beak of the cosmic, of the cosmic chick in the egg of life on earth.

And the entire bird will emerge and fly.

But it was man with his atomic weapons and his radar and all this, who, who can break the shell.

And then the whole of the biosphere will flow outward into space and escape the cycle of energy degradation that will eventually turn this solar system into a group of cold cinders rotating around a red, uh,

giant or something.

What?

Yes. Well, we're trying to compare our maps.

Everybody has seen different pieces of a geography whose total size we don't know.

So we don't know maybe none of our maps overlap or maybe some do and some don't.

And maps which don't overlap are not invalidated.

It just means nobody has been there but you.

I mean, I often have the feeling that I'm seeing things that no one has ever seen before.

Often.

Leon asked me to talk about time.

Leon is off on alone time, so he'll miss this.

The thing that really interests me or draws me back to the psychedelic experience again and again is the notion that there's something that you can learn that would somehow be, uh, have an impact on society at large.

That when, that when you have the psychedelic experience, it's like you're a sailor on some kind of a vast ocean where you let down your net into the deeps.

And the hope is that you will snare an idea of some sort and of some size and it may be, you know, that you come up with the equivalent of tuna.

Which is many small ideas or, and perhaps you bring up your nets and see that they have just been shredded by something so large that you scarcely care to imagine it.

But the, the hope is to land an idea of intermediate size that, uh, you can then fully, um, explore and understand.

When you go into that ocean as a swimmer, you see these things passing in review, uh, things of such beauty and intricacy and complexity that you are literally speechless.

And even speechless in terms of an interior dialogue about what you're seeing, you can't, uh, it just blows your mind and washes past you in such profusion that there seems to be the notion of capturing it seems to be like the notion of a child emptying the ocean with a cup.

But if you have a net, and I'm not sure what a net is exactly, but it's a way of somehow capturing these psychedelic ideas and then bringing them back for examination.

And I think, um, part of it rests on a technique of, uh, cyclical recitation to yourself of what you've seen so that you carry a vision to a level of reflection in memory as you pull away from it.

And then 10 minutes later, you tell yourself again, what has just happened, and then 20 minutes later again, so that you get a series of telescoping images, which are granted a compression of the original event, but nevertheless, they bear the, uh, the, uh, stamp of what the thing was.

So, the thing of this class that has happened to me is a very peculiar idea about time, which was developed, uh, fairly suddenly, as I would imagine ideas develop, uh, in me in the early and mid seventies.

And then it was pretty much.

formulated in my head but it took the invention of small computers to make it

possible to write software so that I could actually talk to other people

about this idea well since we have no computers and not even a blackboard this

will be a kind of feeling toned excursion into talking about this theory

of time it's it has an abstract foundation and a practical foundation

its abstract foundation is the notion that time is different than we have come

to conceive of it as the legacy of Western science the legacy of Western

science is that time is duration that time is a dimension necessary for process

and it's usually thought of as a flat plane against which some other

fluctuating variable can be plotted this is called you know linear time and Newton's

physics took the same view of space the Newtonian view of space was that it was

essentially emptiness it was something which you had to have if you wanted to

put something somewhere so it was a kind of an abstract plenum but Einstein showed

that space is actually some kind of thing it has properties of thing them it is distorted in the

presence of a large magnetic field and and so it became it rose out of the realm of abstraction and

then was cognized as an objectifiable entity a topological manifold that was real this is I think the same step that has to be taken for time

time time is not simply the dimension of duration required for the successive

occurrence of occasions it is rather some kind of conditioned topological manifold we can

think of it as a fluid medium flowing across a surface a river in other words in some places the river is very broad

and shallow and meanders because the pitch of the incline over which it's moving is so

slight that it can barely discern which way to move you see this often in the

Amazon in other situations the incline increases and the speed of the flow

increases and the depth of the channel increases and the sides of the distance

between the banks decreases so time runs slowly and it runs quickly it has a kind of modulated speed

well it's been a commonplace of Western cosmology since Darwin although it's never been elevated to the

status of a law or even a principle that complex steady complexification has occurred in the universe

since its very beginning that this is something that we see in the very first moments of physics and proceeding

right up into our own day in other words in the era before physics that period of time so short that it's the period of time it's less than the

amount of time necessary for the photon to cross the radius of the nucleus of the atom there was absolute chaos and a complete absence of physics and then what sprang into being was a physics of pure electrons of pure energy and it was not for many seconds that temperatures fell to a point such that other

factors could come into play such that free electrons could fall into atomic orbitals and this sort of thing and at each successive level of cooling new forms of order became possible at first everything was just this plasma of particles and energy and then atomic systems sprang into being and then at still lower temperatures these atomic systems sprang into being and then at still lower temperatures

systems were able to form molecular systems the energy level in the general

medium dropped below the level at which it would disrupt the molecular bond so

then molecules came into being and then at that point there was the aggregation

of stars and the cooking out of the heavier elements through the height the

process of cooking hydrogen so that iron and carbon these things then arose and

by this time the universe is much cooler than it was at the beginning and

then finally you get temperature regimes and environmental situations where very

large colloidal molecular species can come into being large polymerized

molecules and and this sets the stage for DNA which once it emerges and the the

thing to notice at each of these stages of complexification is that it requires a

shorter time than the process is preceding it if the universe is let's take the long

view and say 20 billion years old then the first 10 billion years not very much

happened that was interesting in the realm of complexity there was star formation and

the percolation of heavy chemistry but not life and or it's doubtful that life

occurred in the early universe so what we see then is the emergence of more and

more complex animal forms at a greater and greater speed and then finally the

emergence of self-reflection in the primates and then epigenetic methods of encoding

information in other words writing and storytelling and language and at each point

what is happening is there's a progressive time binding of energy and a progressive

intensification and speed up of the complexification of certain parts of the universe right now the

most complex part of the universe that we know is the human brain mind situated in

its network of computers and cultural conventions and social obligations and

expectations and hopes and fears and historical aspirations etc and this is the

realm of the densely packed that the Buddhists are talking about so it seems to me

that this should be seen as the operation of a general law and we are not outside of

this we are in fact the cutting edge of it somehow of all the animal species on the

earth the human beings are carriers of this temporal speeding up process which is now

engulfing the entire planet and so that's the general law or the general perception upon which

this idea I elaborated was based the notion that complexification is being conserved through time

and being built up as some quality that the universe is very interested in maintaining and then I looked at

the ching which I hope is familiar to most of you I'm sure it probably is it's a very ancient

Chinese Oracle system of that uses what are called hexagrams which are six leveled ideograms of broken or

unbroken lines and the possible subset of these things is 64 which is an interesting number because it's the

number which DNA operates on because it uses 64 codons and in fact I came to see that as no coincidence that

actually life was organized around this number and the ching as well because both were subject to a set of

rules which was surfacing in the phenomenon of biological organization and the organization of a

Chinese oracular theory for understanding past and future time but and I looked at what is called the

sequence which is the way in which you move from one hexagram to the next and I sought order there and

found order that I think had been lost since pre Han perhaps pre Zhou time and I came to see the

teaching as we possess it today as an archaeological artifact a piece of broken machinery it's like

the turbine of a jet plane you puzzle over it and you see that it could be used for something and you do use

it for things and it's very effective but it's really a piece of broken machinery from a very ancient

technology which ceased to exist before the rise of the Han Dynasty and what it was was it was like a

Taoist technology of understanding time that by the practice of certain techniques whose historical echoes I think you get in the

in the stilling of the heart techniques of Vajrayana Buddhism these people were able to see into the quantum

mechanical foundations of thought and consciousness and they noticed there a flux which they called the Tao and it

was a thing which came and went the Tao Te Ching says the way that can be told of is not an unvarying way

and they still their body functions and they looked inward with a cataloging analytical mentality and they

noticed that while this flux was variable it seemed to be not infinite in its contributing factors but that in

fact it seemed to have a pattern and they discerned the pattern as revolving around the number 64 in other

way in other words they discerned through this process of meditation temporal elements that had a

kind of ontological validity that the material elements of the periodic table have for matter that there is not

one kind of time or two kinds of time but actually 64 facets of the possible temporal jewel and they saw that

that any moment in time was the combination and the overlay of this wave system which they called Tao and it was a harmonic wave system

it had periods of self-expression which were very short in duration on the order of seconds or hours or microseconds

it had levels of expression which were cognizable in the human world as years and decades and centuries and it had vast

resonant periods which were as large as history and then larger many times periods of historical or periods of temporal

resonance which could only be referenced to the life of the planet and this is i think

you know part of the chinese notion of the Tao of heaven earth and man these are different speeds at which

these temporal waves of conditioning of the world of phenomenal appearance are moving and if you

if you if you take an idea like this seriously even as a personal discipline of thought to to picture it to

visual it visualize it in a vajrayana spirit then you see that what's really being offered is a map of time

it's saying that the condition of knowing a fading past and facing an unanticipatable future

future is not an ontologically given necessity of existence that it is possible to imagine an existence in which one saw into time

the way we as animals see into the space in front of us so that we are able to run and leap and

dance among the rocks it's because we can see into space

a creature that or a culture that could see into time could anticipate where the river of time would flow quickly

where it would broaden out and move slowly with a rich sense of the conservation of accomplishments achieved

where it would cascade and break up its previous patterns and produce great cataracts of novelty

a civilization which knew these things or a person which knew these things about their own life

would claim a new dimension of existential freedom for being and you know i was having this whispering

entity this demon this logos show me these things and it was expressed on a very very practical level

i mapped what is called the first order of difference in the sequence of the yi ching that means how many lines

change as you go from one hexagram to another and i discovered that it looked like a random wave it looked

like a stochastic slice except that at the beginning and the end there were tongue and groove points of fit

if you rotated the thing 180 degrees and brought it down against itself so that the thing achieved closure at the beginning and the end

this satisfied me that i was dealing with an artifact of nature you know that i was dealing with an organized

structure either of nature or created by intelligence and then using the principle of hierarchical resonance and

stacking of modules into uh into hierarchies which is the really the principle by which all chinese

metaphysics has operated from the very beginning i created a cosmic calendar which had where each level was a

resonance of the level below it but either collapsed or multiplied by a factor of 64.

i discovered a very well recall that because the yi ching is 64 hexagrams with the six lines in each hexagram

it's composed basically of 384 yao or lines and i discovered that this number 384 has a very interesting

property the uh cycle of the moon is 29.5 days so that if you take 29.5 times 13 it's something like 383.93

and it seemed to me then immediately obvious that that part of what the machinery of the yi ching was

describing in the humanly cognizable phenomenal world was the cycle of the moon using a 384 day lunar calendar

which precessed 19 days a year against the solar calendar and when you take that 384 day unit and

multiply it times 64 you uh get 67 years and some months and days this is exactly six 11 year sunspot cycles

and china is the first place where we have historical records of the observation of sunspots

so that's one sunspot cycle for each line in the six line hexagram also sunspot cycles have a greater peak

every third cycle so that's one large sunspot cycle for each hexagram in that trigram and i saw then

that there were uh these resonances when you take that number 67 years again times 64

you get 4 306 years and uh that was that works out to let's see 4 306 200 150 years for each zodiacal sign

so it's like each zodiacal sign is claim is slotted to one trigram and these are all notice that all these

things that this resonance calendar is predicting are things visible to the naked eye we're talking about

movements of constellations sunspots and um and the moon

so i saw then that this was a tremendously powerful natural calendar that that was a

a technology developed by proto-daoist central asian shamanism very very long ago but it had this curious

property of when the wave was mathematically analyzed in modern mathematical by modern mathematical methods

so that we could draw these maps of novelty we could see then that it showed us the map of the temporal river

from earliest beginnings to the collapse of the state vector at some time in the future

and so it was obvious then that if we could lay the map over the portion of reality we had already

experienced we could then propagate the map forward into the future and know and begin to take hold of

ourselves in this other temporal dimension and so it became a question of what is the best fit of this

undulating wave of novelty and i used the word novelty out of alfred north whitehead's philosophy

because he he had this notion that novelty was the compressing of a force which knits things together

and and i like that that's what i felt it was that the tao is making itself and that this compression of

novelty through the speeding up of time will eventually reach a place where everything is connected to

everything else and this is you know the universe's self birthing of itself well you must be aware of

all these very straight studies which say if we keep increasing how fast we go by the year 2020 we'll go to

10 times the speed of light if we keep increasing how much energy really we release by so and so we'll

release the energy in the sun the propagation of all these curves of development become asymptotic

and then nobody knows how to interpret what they mean they just seem to mean that the whole culture is

going to go kazoo you know and this is sort of the idea that this theory implies it implies that

far from the universe being a steady state entity uninfluenced by the existence of the human mind

which is going to go on and exist for billions of years until the stars burn out and the second law of

thermodynamics is going to reduce everything to heat death that that's all wrong a hundred percent

and that actually the universe is made by mind within and without organism and that mind is a

capable of bootstrap leaps in its organizational self-expression and that we are privileged

to be the witnesses of the final act of life going through some kind of immense

transformative unfolding from itself in a kind of vortex which has been building on this planet for

billions of years but which has been accelerating to you know such excruciating intensities over the

last 25 000 years that it has called forth self-reflective intelligence from the monkeys and the invention of

quantum physics and space flight and shamanism and it is novelty upon novelty novelty novelty so

intensified that the genetic machinery can no longer carry it and it bubbles out into the epigenetic into

art and language and poetry and religion and religious mania and romanticism and all of these

things it is a progressive knitting together an expression of the universe's will to become

that causes me to think that we may be in the shorter gyres as william butler yeats called them the

shortening spirals of this vortex of novelty and compression you see a curious quality about this kind of

cosmology that i'm describing a cosmology where each epoch is preceded by an epoch which is

a 65 64 times greater in duration the curious thing about that is that you only need about 20 multiple

instances of multiplication before you go from a period of time smaller than the duration of planck's

constant which is 10.1.55 times 10 to the minus 23 which is a very short period of time

to then by by 20 multiplications of 64 you reach a period of time in excess of the required time for

the age of the universe a period of time on the order of 72 billion years well if each time

the spiral goes into a state of collapse at the end of one of its cycles then in the last 384 days of the

existence of a universe like that it would transit through half of its epochs of transition do you see

what i mean it's like a screaming meme it really winds up and instead of the the the vision which physics

gives us is that the really rapid transitions of phase and state occurred at the beginning of the universe

they whole professional lives are given over to discussing the first 10 picoseconds of the physics

of the universe right well i'm saying it's all i don't care about that i think that the really interesting

stuff will happen in a big hurry at the end of the universe that the picture that the second law of

thermodynamics gives us of just you know tumescence maximum detumescence is what it's picturing is all wrong

and that actually this strange hyperdimensional force in the universe called life and information

transfer is in the process of working itself up into a real tizzy and wrapping all space and time around

itself and uh what was startling and what made me think that maybe i was losing my marbles was that when

you look at time that way and push these novelty graphs against the historical continuum i reached

the conclusion that we entered the last 67 year period before the collapse of the state vector

at 8 30 in the morning on august the 6th 1945 when the atomic bomb went off over hiroshima you see it was

a temporal reflection of the birth of the universe it was actually a you could call it an event which was a

reincarnation of the big bang because each cycle begins with a bang and that cycle initiate the fact

that human beings had used atomic weapons on other human beings meant that we had entered a new era a new

epoch of moral danger and the stakes had been raised you know by a power of 64 to a new level

now using the mathematics inherent in the cycle if you propagate forward from that date 67 years 104.25 days

you reach late november of 2012 a.d and i concluded based on all kinds of factors personal and historical and so

forth that that was the fit that that if hiroshima was was day one then the place where it all came together

was this date in 2012 and i worked with that for several years before some kind soul henry munn i think

pointed out to me that the mayan calendar which is a cycle of three of the long count calendar i'm now

talking about is a cycle of 13 time periods which are called baktuns and the baktun is 396 years in

duration after 13 baktuns the world ends completely and the 13th baktun of the classical mayan long count

calendar is the winter solstice of a.d 2012 within 30 days of the date that i had fastened in on using a

completely different path of analysis and so this raised all kinds of questions one of which is is it

simply that individuals and civilizations who take mushrooms become i want to say privy slash engulfed

by a certain mathematical secret about the cosmic machinery what is so important about this date

in 2012 you know the meso-american cultures have the most uncanny history of successful prophecy in the

world i mean the aztecs anticipated the coming of the spanish the day the book of chilam bellum gives the day

when the spaniards would weigh anchor off the coast of mexico and of course the fact that it happened

exactly as prophesized was a major undoing

of that civilization so I put this out I this was a very confusing experience

for me to channel or transmit this idea because I was interested in the I Ching

I had carried it with me in India I used to throw it at each full moon but I was

not mathematically inclined and when reading the philosophy of science and

people like Paul Feyerabend and Imre Lakatos and reading the history of

science and Thomas Kuhn and all of those people trying to understand you know

well what is a true idea what is true and what is false and and when you have

an idea which makes claims as sweeping as these then you want to try to

understand just what the limits of knowability are and I discovered that

all you can require of any idea is that it be self consistent that it not generate

any contradictions within its own set of rules you see and that's why astrology is

beyond criticism because astrology is a mathematical

theory with an interpretive exegesis attached to it and who can quibble with

the mathematical theory well then the the the interpretational exegesis has to do

with the sensitivity and subtlety of the interpreter well isn't this true of

mathematical data in science exactly the same way so I discovered that what I had

created was a self consistent idea that appears to be sealed beyond refutation in

some weird and uncanny way which makes it seem very non-human because you can't

really find your way into telling whether it's can answer can be answerable to the

notion of objective truth so what I've decided about it is that it's a it's a

teaching or it's a it's a kind of it's an exemplary model about how all process

goes on and it's a way of learning how things happen to see time as a modulated flux of elements to

see it as a series of waves moving at different speeds through which you are taking a vertical slice

and then stacking that slice and that gives rise to the multiplistic ever-changing

flux that is called the now it is actually made up of reflections and

adumbrations of the past and it's made up of anticipatory shock waves and

intimations of the future the past and the future are co-present in the now they are

in fact what's making it happen you can almost think of it as a hologram where you

have two or or a standing wave where you have two wave systems one from the past one

from the future and where they cross an interference pattern forms which has a

curious stability as a system in and of itself and and yet it's almost a ghost created by these

other two realities and that is the moving present and to mathematically this notion of

time that I evolved delivers you know the map of novelty a two variable flux a wandering line

graph that's very pleasing for arguing with formalists but what lurks behind it and

what is so rich for the romantic and the shaman and the poet is these this wandering line graph is

the composite of of the overlay of certain historical time periods which are in a state of flux at various

speeds so that they give rise to an endless kaleidoscopic unfolding in what we call three-dimensional space and

of what we call reality and this is why I often mention Finnegan's wake in my lectures because Joyce

understood this he understood that every moment is caused by everything that happened in the past and

everything that happened in the future and I like to give you know the the trivial example that you

find yourself in Hadrian's hamburger joint this is because the Emperor Hadrian invaded England in a

certain year and conducted a campaign we are ghosts of past and future events and what the what the chaos at the end of history

that we are now living through is is that for thousands and thousands of years

people have felt a vague thing

calling across time to

humanness

calling us to be a certain way to practice certain rituals to observe the stars to observe the plants to observe birth and

observe death a calling and that thing which some people have called God whatever it is is throwing a gigantic shadow over human history now

because now the creode of development that leads to our merging with this thing the walls are very steep the water is moving very swiftly and it's almost as though the future event is throwing off God's

great sparks that are themselves faceted contradictory epitomizations of this mystery

this is what a Mohammed and Christ and Buddha are they are human

human

personalities that were situated in time in such a way that they became macrocosmic reflections of the superordinate

edemic humanity that is going to be generated at the end of history and we are close we are close it is

all of history can be seen as the shockwave of this eschatological event this is what the prophets were anticipating the culmination of man's God making effort in time will be the perfection and the release of the human soul and it has it's not that we are doing it you see it's that a natural law that we were

previously unaware of is inexorably unfolding unfolding and that is what all this cross connectedness of man into matter plant into animal earth into space all of this flowing and interconnectedness this reaches right down into the rocks of the planet and the

right down into the rocks of the planet this is not simply a phenomenon of biology this is the unfolding of a general law of which biology is only the cutting edge of a wedge of becomingness which includes all being and reaches right down into the neutrinos and it is you know to be a being in time is to share in the immense

of precognitive anticipation of the universe in anticipation of this event and that's what being is and that's why it's so rich and so complete within itself and yet always somehow pointing beyond itself because the richness of the matrix through which we are moving is incomparable and beautiful and

and so this is the basis of my extreme optimism is I think that everything is under control that we are in the grip of a force so powerful that the notion that we could jeopardize or overthrow it is completely preposterous because we are acting in accordance with a resonance that was set

going millions and millions of years ago and of course being is fraught with danger but the stakes are you know to be at play in the fields of the Lord to be at rest in the mansions of the goddess and it's it's soon I think at least the historical mimicking of it is clearly soon

because the thrust toward the millennium of this society will not be turned aside if it is not a law of the universe then it will become a myth of human beings and be created anyway

so since we are human beings I see us as the central actors in that mandala

I mean this is the task of the next hundred or five hundred years to realize the alchemical nature of humanity and being and have everything fused into a super numinous concrescence that is time

time Joyce said all space in a nutshell

you know all time bound into a lenticular vehicle which is both both everyone's and mine alone and yours alone and yours alone

and yours alone what I want to talk about this morning is an idea I've talked about it in a couple of places

some of you may have heard it before I think it bears repeating it's a much more serious idea than what I put out yesterday

which had a note of whimsy in its genesis this idea is important whatever that means because it would change

not only the area of its concern but our view of the world generally and Easter is an appropriate time to discuss this

because it concerns the genesis of man of consciousness and self-reflection which is what the Easter mythologium is also an expression of

so what I wanted to talk about this morning is a new notion of how human evolution occurred and what the critical factors were in it

and how to draw a picture for us that shows how our intellectual complexity and symbol manipulating facilities could have emerged naturally

from a background of animal existence and over a fairly rapid period of time

over the last 3 to 5 million years actually the African continent has been growing more dry and has experienced fluctuations of aridity

nevertheless as recently as 2,000 years ago the Roman historian Pliny called North Africa the breadbasket of Rome

because wheat was being grown over thousands and thousands of acres

now it's in this same area of northern Africa the great rift zone the Serengeti plain where physical anthropologists place the origin of human beings

and it has to do with the following sequence of events arboreal primates living in an unbroken continental rainforest ecology

achieve a close adaptation to existence in the canopy and this is stabilized for millions of years they are insectivores

they have the opposable thumb and binocular or rudimentary binocular vision

the drying up of the African continent caused the breakdown of this continental rainforest into a configuration of patches of forest with grassland in between

and in this grassland ecology

herds of mammals evolved

proto-cattle, proto-bison

exotic mammals like giraffes and gazelles of all types

at the same time the primate adaptation to this increasing aridity

was to begin to descend from the trees

and to hunt in packs

and to shift from a diet of

canopy fruits and berries

and roots dug from the ground

to an omnivorous diet that could include meat

so in this situation

these tribal monkeys

developed a complicated repertoire

of signals

to aid in pack hunting

in exactly the same way that wolves

are known to do

now

into this situation

and their habit

was nomadic

and to follow behind these great herds

either

killing the animals

that were

less well

and could be

killed

by the crude means

at their disposal

or living off

the kills of other carnivores

and this is still the habit

of baboons

now

into this situation

comes

a mushroom

which grows in the manure

of the ungulate animals

that have evolved

on this plane

and in this protein

intensive environment

where there is pressure

on the availability of protein

these foraging primates

are testing

every object in the environment

for its food value

so

uh

Roland Fisher

who was a researcher

into the effect of psychedelic drugs

and the structure of consciousness

showed that small doses of psilocybin

sub-psychedelic

uh

sub-threshold doses of psilocybin

actually increase

visual acuity

and he had a very elegant experiment

where

two parallel lines

could be deformed

by turning a dial

and you would put graduate students

in front of this

stoned and unstoned

and ask them to press a buzzer

when the lines

appeared to them

to no longer be parallel

and he showed

that consistently

uh

a small amount of psilocybin

allowed you to detect

this change

uh

sooner

than

an ordinary subject

was able to

and he said to me

he said

you see

this proves

that in some cases

drugs

give you a clearer picture

of reality

than their absence

and what it means is

that these primates

who were inculcating the mushroom

into their diet

were gaining a subtle adaptive advantage

over their fellows

who were avoiding the mushroom

because they were gaining in visual acuity

which is one of the critical parameters

that a pack hunting carnivore

would be subject to

in that kind of an environment

so

uh

without any teleology being involved

without any invocation

of an extraterrestrial intelligence

we see that a feedback loop

was established in the food chain

of these primates

very early on

those who ate the mushroom

tended to survive

and out breed

those who did not

at the same time

the relationship

between these animals

and these

herd

ungulate mammals

was shifting

from a hunting situation

to a situation

of domestication

which was

bringing the mushroom

ever more

into the fore

and if you look back

at the archeological evidence

in North Africa

especially

the paintings

the

late Neolithic paintings

on the Tassili Plateau

in southern Algeria

you see there

magnificently

portrayed

herds

of cattle

and

I mean

beautifully

painted

more

more sensitively portrayed

cattle

than you find

at Altamira

and Lascaux

and you see also

shamans

dancing

with mushrooms

sprouting out of their body

and with mushrooms

clutched in their hands

groups of them running

holding them on high

with

geometric

matrices

of connected dots

all around them

and

now of course

in that area

it's very similar

to this

it's an area

of sculpted

sandstone

and

cross-cut

arroyos

with undercut

cliffs

and it's very dry

but in some places

the Neolithic

detritus

is several meters deep

and the people

who lived

in the Tassili Plateau

when the aridity

of the Sahara

further increased

are the people

who migrated

east

to the valley

of the Nile

and established

the proto-Egyptian

civilization

of six to ten thousand

years ago

the important point

I want to make

about this later

phase

of the

human involvement

with the mushroom

was that it was

always intimately

connected

with cattle

and the goddess religions

of ancient

North Africa

and the Middle East

are

religions

of cattle goddesses

and

this connection

between the cow

and the mother goddess

and the mushroom

is some kind

of key

to understanding

the evolution

of religious sensitivity

in early man

in that part

of the Middle East

it carries forward

into historical time

with the mysteries

at Eleusis

where there is

a clear indication

that a psychedelic

substance

was being used

either ergotized

rye

or

a mushroom

of some sort

and this

this notion

that

it was

the presence

of the mushroom

on the African

veld

at a critical

bifurcation

of primate evolution

that created

the feedback loop

which eventually

developed

into self-reflecting

consciousness

because you see

at lower doses

the psilocybin

is giving

increased

visual acuity

and

it seems like

increased

symbol processing

ability

its strange effect

on the language centers

but of course

inevitably

they would have also

discovered

its higher dose effects

which would be

to

convey them

into an inner

tremendum

that became

then the cultural

guiding image

in other words

it was

perceived as

as a god

as a goddess

as the goddess

and became

then

the arrow

for cultural dynamics

and evolution

and the reason

I think

this is important

is because

the spin-off

implications

of the acceptance

of an idea

like this

would bring us

into much greater

harmony

with our environment

we sort of

have the anxiety

of an orphan

about our origins

because our best

people

in physical

anthropology

don't give

very good accounts

can't seem

to make sense

of how we could

have been forced out

and emerged

out of primate

organization

and so there's

been much talk

in the 20th century

about the search

for the missing link

which was always

conceived of

as a physical skeleton

of a certain kind

of intermediate

hominoid form

but it isn't

a missing link

I think

it's a missing factor

and the factor

which accelerated

the forward evolution

of the brain size

of this particular

primate line

was the inclusion

of psychedelic

plants

in the diet

which then

fed

the tendency

towards

symbol formation

and self-reflection

if this idea

gained

wide acceptance

some of our laws

and some of our

ways of relating

to nature

and to medicine

plants

in particular

would

have to be

altered

and brought

into line

and this is

the source

of our humanness

apparently

the psychoactive

compounds

being elaborated

by plants

throughout nature

are regulators

of various forms

of evolution

in animals

and food chains

and all this

which appear

very trivial

on the surface

are actually

the message-bearing

medium

of the

of the hand

of God

which is forming

and sculpting

nature

along these various

creodes

of development

and

the

the thing

to understand

about this

or why this

has impact

in the future

is because

it's a continuous

process

which we can

foster

and husband

and

help develop

in healthy

ways

if we recognize

that it's going

on

I mentioned

Eleusis

as

as this kind

of thing going

on in historical

time

also of course

Soma

the sacrament

of the Vedic

civilization

appears to have been

a mushroom

was certainly

a psychedelic

plant

and it isn't only

psychedelic plants

it's all

plants which affect

and shift

consciousness

I mean

a history of

the human race

could be written

analyzing it

not in terms of

class struggle

or the impact

of great personalities

but as

a shifting

set of interactions

between

sugar

tobacco

opium

caffeine

alcohol

and

psychedelics

so that

you know

we need to understand

that

chocolate

that these

food

cocaine

that these

foods

and

drugs

and spices

are

we have

subtly

overlooked them

and taken them

for granted

they are regulating

human history

and individual

self-expression

how much

you know

how you look

how

pure

your transmission

of your genetic heritage

to the next generation

all of these things

are being regulated

and controlled

by these plants

in this way

now

if we

could create

a civilization

or even

a

even a

clique

within a civilization

that understood this

and had its fingers

on a vertical monopoly

of research

from the jungle

to the clinical hospital

great things

could be understood

this is the way to do it

to systematically explore

these relationships

and see

that Gaia apparently works

through the intercession of catalytic compounds that convey revelation

revelation

and revelation

is then

the factor

which has historical impact

the people

the messiahs

and the teachers

are merely the pipelines

for ideas

and the

the metabolic release

of these ideas

in the macro environment

is being controlled

by

the plant-animal

interaction

and so it will be

on into the foreseeable future

and by understanding this

a kind of new science

looms

in

to view

a kind of

integrated

dynamical

understanding

of

the flux

of energy

mediated by

chemistry

in the environment

so that

the guiding image

of culture

can be

revitalized

and realized

in a much shorter period

of time

and this whole

shortening period

of time thing

has also been going on

for a while

you see it isn't astonishing

I think

that self-reflection

could emerge

giving basic

given basic

primate organization

but what is astonishing

about it

is the speed

with which it happened

I mean in the last

thirty to fifty thousand years

the human brain

has changed

more

than it changed

in the previous

three to five million years

so

you know

a factor

has entered

a catalyst

is in the mix

and it must be

something

in the food chain

or something

in the environment

or the hand

of almighty God

or the extraterrestrials

or you know

elf invasion

from hyperspace

but something

is causing

this accelerated development

and I

and this

it

what I've said

this morning

could be criticized

as being reductionist

I've tried to give

a very sober

account

of it

I haven't said

why

the mushroom

appeared in the manure

or discussed

whether it has

awareness

or a stake

in the catalyzing

of this primate evolution

I just introduce it

as a chemical factor

and that's how

it would be written

if it were presented

to a straight audience

the fact of the matter

is that it raises

all kinds of questions

I mean

why is this

process being

catalyzed

in the primates

is it just

by happenstance

where has the mushroom been

is it

what is its relationship

to the evolution

of other forms

of life

on this planet

did it drift

in from the stars

if so

long ago

or recently

and with intent

or by chance

and

you know

just a host

of questions

questions

but the thing

Thank you.

that puts us in such an existential situation individually and culturally is

this puzzlement over our origins we are not strictly speaking religious in the

19th century way so that we cannot really I think accept that you know God

sculpted us from clay and set us down here on a world he created and yet if you

were to look for the thumbprint of God on this planet you would certainly have to

focus in on the human beings and their activities as a special case of natural

phenomena perhaps so special a case that it had to be accorded a separate

ontological status we are different and why and for what I think that probably we

are the agent of change that Gaia has unleashed upon herself that the planet

itself is aware of the finiteness of planetary existence and it's sort of

like the story of the ant and the grasshopper you can have a planetary

consciousness which says well I look forward to three to five billion years of

sentient existence and then I'm willing to be extinguished with the death of my

star or you can have a plant with an ant a planet with an ant-like mentality that

says you know I can sense winter coming three to five billion years down the line

and I'm going to organize some wild strategy to break through the tyranny of the

energy cycle of one star and I am going to organize biological existence so that

energy can be brought greater and greater amounts of energy can be brought under

control so that eventually a kind of liberation can occur where life can burst

out of the planetary cradle and disperse itself through the universe and there

are apparently several strategies for this one is evolve intelligence and build

star ships another is you know become a mushroom and produce three to five

million spores per minute during sporulation that are particles small

enough to percolate by Brownian movement away from the atmosphere of a given

planet and by sheer numbers and the slow gradient of drift by light pressure and

that sort of thing emanate through the universe and establish yourself in any

planetary regime that is suitable the obvious next great revelation in biology

and it's strange that we can state it because once it's stated by Carl Sagan it

will be headlines everywhere but it's obvious that space is no barrier to

life it's a it's a it's a barrier in the same way that the Pacific Ocean it was a

barrier to life's colonization of the Hawaiian Islands but that's all it's just a

tight filter but spores and starships and shamans probably get through to other

closed topologies in orbit around other stars you know there must be a dimension

somewhere where all surfaces in the universe are contiguous and if you could

move into that dimension you could just walk to zeta reticuli so the means by which

life will penetrate these larger dimensions that free it from its dependency on the energy cycles of

the material universe are not by any means clear I mean it may be that it's about organizing the mind and

building an inner vehicle that moves off into the imagination the imagination may be in fact a

three-dimensional slice of a higher dimensional universe that is holding all of this in being and causing it to happen the imagination

it's hard to account for it in evolutionary terms if it is not to somehow mapping a field of data that is important for development

so that's that notion the notion of the importance of psychedelics in the formation of the this species and the continuing formation of the cultural design I think what the psychedelics do is they decondition from cultural programming and allow models to be replaced at a much greater rate of speed

that the the culture that uses psychedelics can trim itself to every historical current and this is really the challenge of the future we are moving as a culture faster and faster through the temporal medium through the historical space and this is creating a compression of events and it's almost like an airfoil approaching the speed of sound there is a

a wave of concussion concussive shock building in front of our culture and we have to almost redesign ourselves in mid-flight in order to push through that barrier and into the the different order the different set of laws that will prevail once we have gotten through that but this whole sense of everything accelerating and of all historical input being intensified

and all previous times being somehow co-present this is the phenomenon of the winding down of a universe or the building up of an eschatological shockwave in front of a vehicle that is trying to transit out of history and into some kind of millenarian space that is not subject to the anxiety that history involves

and that's what the whole crisis and around the millennium and the whole twentieth century really is about you know is this this effort to create a complete summation that can also be used as the force to propel us beyond everything that we have been or thought before because there's obviously no other escape from the culture crisis it is

that kind of that kind of situation is called a forward escape it means the only thing you can do is move forward into the crisis at ever greater speed because the only solution is to pass through it and move beyond it and as we move toward the millennium and as you know the intelligence of our machines the size of our databases

the ability of the visions of our visionaries all of the visions of our visionaries all of this will build to a crazy concatenatious climax it can't be any other way because Christian civilization has wired us up for these things at the end of every thousand year period I mean in the year one thousand everything just went haywire I mean people stood in the streets for months gaping at the sky

and there was an imminent expectation of an imminent expectation of the onslaught of the millennium

nevertheless this archetype of renewal is seeking in thousands and thousands of ways to be born and I think the rediscovery of psychedelics LSD everything that Wasson did all of these things are critical factors in this cultural mix

that is going to gel toward the recognition of the things which we hold as cliches

you know that the inside and the outside are the same thing that the universe can be crossed by thought in an instant that all information is somehow co-present and so on are there any questions about any of this?

yes I said that what we take for granted that the inside and the outside are the same thing these things when will be assimilated by the larger culture and things like you know human machine interface and the ego identification with the body I think all these things are going to be obviated that you see we don't know what man is and we have a strong

association that humanness is related to the monkey body but yet our whole historical career has been of projecting ideas into technical accretions and now that we have computers and things which mimic intelligence we are beginning to explore you know what is humanness ontologically that's what people are really talking about when they say can machines think will

they mean is what we have focused in on as the defining factor of our being that sets us apart from all other things something which we could manufacture and the answer is probably to some degree yes because much of what is intelligence or appears superficially to be intelligence is simply data and retrieval so that you know more and more of

the culture of the culture is being hardwired into an electronic coral reef that is simply the outermost of each of our own exoskeletons we all have telephones in our homes many of us have computer terminals these things introduce us to a global skin of information that as the hardware grows more and more unobtrusive

we will more and more come to identify these things with our own ego we won't even realize that we're being charged for thinking about certain questions because we're actually accessing a database somewhere which is feeding us data so that the commonality of mind is I think going to be

the commonality of mind in a capitalist context that there really will be an ocean of thought that you will swim in and that will be composed of deeper and deeper levels of integrated information perhaps this is all that hyperspace is is the entirely expressed informational ghost of this physical universe

of the physical universe that the mind will eventually come to swim like a fish you know and will come and go from various constellations of aggregation and integration I mean you see what's going to happen is that the rules of the imagination are going to replace physics so that we are going to be able to do and be

you see what's going to be able to do and be able to do again in any way we can follow in the bicent

and we call them and go to theintérieur of the intelligence that you have to live in your life so that the eiga-loosk

I'm thinking of to do and keep in mind in mind and keep in mind and keep dreaming and doing great that you have to do and solve them and try your needs to be

in mind so what would it be like if a culture evolved for a thousand years in that way I mean if you could be anything we all that I guess the first step everyone takes is they imagine themselves as the flying saucer

flying saucer the lenticular mind object made of light that can move at any

speed and become any object and answer any question and well it's an

archetype of wholeness in Jung in his flying saucer book talked about this

thing in alchemy called the rotundum which was the thing which spins you know

and it's also in alchemy called the scintilla the spark and it's simply

because it's round and spins it's a symbol of wholeness but it's like the

exteriorization of the human soul the realization that you know expressing

what is within us may culturally eventually mean actually exteriorizing

the human soul and interiorizing the human body so that this world is traded

in for the imagination I mean this is sort of what art has always been trying to do

but we're talking about a breakthrough in ways and means on such a scale that you

can just march off into this art oh yes well Kat and I did that without even a

flashlight battery just by having children I mean there's an epigenetic component and a genetic component

but what I'm saying is the difference between these things may become dim indeed in other

words why shouldn't all you know the way a person is made is that a DNA message is

read by RNA and it's a it's a group of codons nucleotide bases which are then

templated and then a ribosome reads it and and assembles little pieces correctly and then the protein is

is created well there's no reason why anything should be made any other way all

machines should be produced by the transcription of molecular templates so

then all our machines will become strangely quasi biological you will Chevrolets will not

be manufactured they will be grown in yeasty vats and when they talk to you the

question you know it becomes very moot as to whether this is a pet a friend a colleague or because

that's you see and nature works with very low energies DNA can make anything and there's no

smelting no huge release of toxic byproducts and and the amazing thing about these proteins is that the

ribosome stamps them out and they come out and like a line but they have forces electrostatic and other

kinds of forces scripted into them so that they fold in very very complicated ways and they always fold

the same way and their memory of how to fold where this comes from is one of the great mysteries of

molecular biology it's not at all understood well imagine if we could make machines which just

emerged as a strange form of spaghetti which then folded itself into jet planes refrigerators automobiles

color television sets lipstick cases and what have you this has to do with my notion that really the next

evolutionary leap is uh well i shouldn't call it an evolutionary leap because it's a leap in epigenetic

development but is what i call the genesis of visible language that there is an ability just under

the surface of human organization waiting to be coaxed out either through yoga or slight genetic engineering or

or something like that and it is uh something that was anticipated by the alexandrine philosopher philo judaeus

he talked about the logos and which is this teaching voice this informing thing which is heard and he was

interested in what he called the more perfect logos and he said what is the more perfect logos and then he

answered his own question and said it would be a logos which went from being heard to being beheld

without ever crossing over a border of transition in other words a form of synesthesia well all using

ayahuasca and dmt and compounds like this which are very closely related to our ordinary brain chemistry

and practice and dedication you can begin to explore places where a vocal synesthesia becomes a colored topological

manifold and you can communicate you can show someone your thoughts by singing in such a way as to condense

visible objects into the air in front of them and these objects are they are hyper words they are words which

you don't hear but which you see and they are and like objects they have sides and facets and can be rotated and

examined from all sides well now the biases in our language that causes to say things like

i see what you mean when we mean i understand you fully shows that we really place a greater emphasis on

seeing the truth than on hearing the truth so the truth seen is somehow more valid than truth heard

and ayahuasca is a perfect example of a plant which communicates with a visible language the mushroom you

often hear it and often the hearing evolves into a visible synesthesia field of photonic input

but the ayahuasca always communicates visually and it's like the mayan glyphs or something it's this

fantastically complicated surface which is conveying alien meaning after an ayahuasca trip you just feel

like your eyes are sticking out of your head because you've just been looking as one looks at the page of

a book for hours and hours as this strange uh alien uh three-dimensional language flows through your mind

but i believe that this is a human ability just under the surface and that in psychedelic states of mind

this happens to people this is why all the fiddling with glossolalia it's in the hope of reaching you

know that concordance of chemistry and the moment that will allow this to happen because it's for some

reason very satisfying it's like an utterly harmless city it seems to have it is true magic and the person

doing it is utterly transported by their ability to project visual beauty but it appears to have no

use other than entertainment of oneself and others but eventually when it is integrated as a cultural

mode i think it will be it is what telepathy will be telepathy will not be hearing other people's thoughts

in your head telepathy will be when you switch into the language that lets people see what you mean it'll be

the see what i mean language and i think that uh the psilocybin from the very beginning was catalyzing the

language centers and that in fact the kind of language i'm speaking to you right now is a prototypic

type of this eventual development in human organization and that this is the thing that makes humans unique

is this ability to make small mouth noises which are arbitrarily encoded with conventionally agreed

upon meanings which allows us then a vast control of a previously invisible uh linguistic space

and it's in that linguistic space that we have erected our cathedrals and conducted our pogroms

and gone about all our forms of business and uh and becoming aware of this of language as a thing to

journey into and language as a thing to avoid the pitfalls of to be you know the buddha say awareness of

awareness maybe it's easier if one thinks of it as awareness of language you know

i wanted to um perceive this thing of the visual language because they'll have their mouth open and

there will literally be these beautiful things coming out of their mouth with flowers and they

interpret it as flowery speech but perhaps uh they were in fact doing what you're talking about oh well

they don't interpret it as flowery speech they try they call it that but yes i think that's what it must

have been this is all very puzzling to me and if anybody knows if anybody is an acoustics person or i

don't know what's going on exactly but the question of how what is voice and what can you do with

self-generated sound how neutral is it to your own organism in other words any of you who read the

invisible landscape the theory in there is that you take a certain drug a certain plant and you hear an

interiorized tone which is not a psychological phenomenon but rather it is actually the electron

spin resonance of this highly biodynamic molecules by the millions entering into the synaptic cleft and

competing with the endogenous uh uh transmitter there for uptake and that this is molecularly real and

hence can be treated as a manipul a variable to be manipulated with the input of other kinds of sounds

such as sound which cancels it or sound which uh reinforces it to then manipulate these molecules in

in one's body and this is uh this is really i think the frontier of shamanism worldwide that everybody

is trying to figure out how far you can go with sound and what you can do with it and also how dangerous is

this how permanent can some of these brain changes be and what is the mechanism you know is the electron

spin resonance thing pretty close to it or is that just a myth and that an entirely different set of

coupling mechanisms are are making that happen but all of the ayahuasca shaman are great hummers

and great controllers of their voice and uh you know they do operate on your body with light and sound and

there are sounds which can slice into your body and uh and it seems to me this is where experiential and

experimental work with these things should concentrate to try and understand just how much of human

humanness can we take control of how bound in are we what do these special abilities mean and uh and uh

what traditions if any have anticipated them the thing

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