Psychedelics in the Age of Intelligent Machines
mckenna's 1999 lecture finds bridges between psychedelics and computing, framing both as consciousness-expanding technologies. he argues human minds excel at generalization and spatial coordination while machines work in computation, yet symbolic logic connects them. the talk explores how pharmaceutical chemistry already practices nanotechnology, how drugs and machines are function-specific arrangements of matter, and how both extend human function through prosthesis. worth it for the vision of machines and psychedelics as complementary paths to transcend our cognitive limitations.
transcriptmachine-transcribed, unedited
Good evening, please join me in welcoming Mr. Terence McKenna.
It's a pleasure to be in Seattle this evening. You've made me feel real welcome. Thank you.
Our discussion this evening is psychedelics in the age of intelligent machines, or shamans among the machines.
And I wanted to talk about this simply because these are two of my great loves, and so I assume, being monogamous, they must be one love.
So how to build intellectual bridges between these two concerns.
Which seem so different, as far as people and machines are concerned, it was Ludwig von Bertalanffy, I think, who said in his book, General Systems Theory, he said, people are not machines, but in every opportunity where they are allowed to behave like machines, they will so behave.
In other words, we tend to fall into the well.
The well of habit, though the glory of our humanness is our spontaneous creativity, we too, as creatures of physics and chemistry, of memory and hope, tend to fall into repetitious patterns.
And these repetitious patterns are the death of creativity.
They diminish our humanness.
They diminish our individuality, make each of us somehow like cogs in some larger system.
And we associate this cog-like membership in larger soulless systems with the machines that we inherit from the age of the internal combustion engine, the age of the jet engine.
You know, Marshall McLuhan said,
We navigate our way into the future like someone driving who uses only the rear-view mirror to tell them where they're going.
It's not a very successful strategy for navigating into the future.
So I made a number of notes on this matter of psychedelics and machines.
To me, the connecting bridge...
Well, there are many, but the most obvious one is consciousness expansion.
After all, psychedelics, before they were called entheogens, before they were called hallucinogens,
before they were called psychedelics, they were simply called consciousness-expanding drugs.
Good phenomenological description of what they do.
And certainly...
the technology of cybernetics
is a consciousness
expanding technology
it expands
a different area
of consciousness
the minds of machines
and the minds of human
beings are very different
so different that
each party questions whether
the other even has a mind
but in fact
what these are
are species of minds
operating in very
different domains
for instance you can ask
a five year old child to
go into the bedroom
to the third drawer of the
dresser to select a pair
of black socks and to bring them
to mother
this is not a challenge for a five
year old child
to get a machine to do this is
a hundred million dollars
and a research team of
forty or fifty
technicians code writers working
on the other hand
if you ask the person
cube root of seven hundred and fifty thousand three hundred and forty four
much head scratching
results
a computer is utterly undaunted
by that question
so computers are minds that work in the realm of
computation
and human minds are minds that work
in the realm of generalization
spatial coordination
understanding of natural language
so forth
are these kinds of minds so different from each
other pilgrims
that there is no bridge to be crossed
I would
submit not
that in fact the bridge
between the human mind and the krijgen
And the machine mind is symbolic logic, mathematics.
When we think clearly, we are intelligible to machines.
People who write code know this,
that the essence of making yourself clear to a machine
is to think clearly yourself.
The machine has no patience for the half-truth,
the analogy, the semi-grasp dissociation.
For the machine, everything has to be clear.
Everything must be defined.
So that's the commonality between minds and machines
of the calculating species.
What are the common bridges between psychedelics
and these machines?
Well, to my mind, this is an easier bridge to gap.
Both computers and drugs are what I would call
function-specific arrangements of matter.
And as we develop nanotechnological abilities
as we move into the next century,
it will be more and more clear
that the difference between drugs and machines
is simply that one is too large
to solve.
One is too small to swallow.
And our best people are working on that.
You know, nanotechnology is a very hot buzzword at the moment,
an unimaginable dream of building machines
and small objects up atom by atom,
perhaps under the control of long-chain polymers,
running forms of pre-programmed software of some sort.
It's all very razzmatazz, very state-of-the-art.
But in fact, pharmaceutical chemists have been working
in the nanotechnological realm for over a hundred years.
I mean, when you synthesize molecules
out of simpler substrate,
specifically to have a conformational geometry
that matches something going on in the synapse
of a primate, a human or a monkey,
or something like that,
you are working at this nanotechnological level.
Both the psychedelic and the new computational machines
represent extensions of human function.
And this is really close to the nub.
It locks in with the concept of prosthesis.
The drugs,
the psychedelic substances,
the shamanic plants,
are forms of prosthetic devices
for extending the human mind,
the human perceptual apparatus,
into hidden realms
or inaccessible realms.
Similarly, the machines,
by allowing us to model, calculate, and simulate
very complicated multivariable processes,
extend the power of the human mind
into places you could never dream of going before.
And part of what seems to me very real
about being a human being
and inheriting 10,000 years of human history
is the complexity of the inheritance
and the growth of that complexity.
A thousand years ago,
an intelligent human being
could actually dream of mastering
the entire database of Western civilization.
Read all the classic authors,
read the Bible,
and you're closing in on it
around AD 1000.
Now, the notion of any single human being
assimilating even a small portion
of the database of this civilization
is inconceivable.
So machines which filter,
which search,
which are guided by human intent,
that's part of the story.
The other part of the story
are boundary-dissolving states of ecstasy
in which all the factoids of the culture
are thrown up for grabs.
The deck is reshuffled,
synchronicity rules,
and out of that steps
visionary understanding,
breakthrough,
integrative breakthrough
under the aegis of psychedelic intoxication.
So, prosthesis.
Prosthesis for the human mind
and with the advent of virtual realities
of various sorts and that kind of thing.
Prosthesis for the human body.
And I'm very keen on
sort of the under-the-table effects
of these things.
In other words, I'm a full-going,
full, hard-charging McLuhanist.
And I really believe that
the strengths and weaknesses
of the world we've inherited
are strengths and weaknesses
put there by print
and by the spectrum of effects
which McLuhan called the Gutenberg Galaxy.
The spectrum of effects spun off from print.
And if you're not used to thinking
in McLuhanist terms,
it may not seem immediately obvious to you
that phenomenon as different as
the modern notion of the democratic citizen,
the modern notion of interchangeable parts
on an assembly line,
the modern notion of conformity
to canons of advertising,
these are all spectacles
of effect created by the linearity
and the uniformity of print.
It actually, in the late 15th century,
reconstructed the medieval psyche
into its proto-modern form.
And we have lived
within that print-constellated
cultural hallucination
for about 500 years
until the advent of various forms
of electronic media in the 20th century.
McLuhan talked about radio.
He talked about television.
He didn't really live to see the internet.
The notion that keeps occurring to me
as I watch all this
is that print was uniquely capable
of creating and maintaining boundaries
more than any other form of media ever created.
It was a boundary-defining form of media.
It proceeded linearly.
It required literacy,
which had implicit in it
the notion of a very stable,
advanced sort of educational system.
Print was a creator
and a definer of cultural boundaries.
And the new electronic media are not.
And neither are the psychedelics.
This is why I proposed in a book of mine
called The Archaic Revival
the idea that the values of the archaic,
of the high paleolithic,
values of community, ecstasy,
relating to life through rhythm,
dance, ritual, intoxication,
that these values, which seem so archaic,
are in fact destined to play a major role
in the future as print fades.
Print, just a convulsive 500-year episode
in the Western mind
that opened that narrow window
that permitted the rise of modern science,
modern mathematical approaches
to the analysis of nature,
and then obliterated its own platform,
its own raison d'être
by allowing the growth,
the appearance of the electronic technologies.
And my sort of supposition about all this,
I'm not an apocalyptarian or a pessimist.
I may be an apocalyptarian.
I'm not a pessimist.
I think this is all very good.
Obviously, continuing to run Western civilization
on the operating system inherited from print
produces various forms of political and cultural schizophrenia
which, allowed to run unchecked, would become fatal,
would create cascades of chaos
and political destabilization
that would become uncontrollable.
Governments resist change.
Governments cling to technologies and social formulae
that are already tried and true.
In that sense, then,
all governments are incredibly anti-progressive forces.
Again, the image from McLuhan
of someone driving into the future
using only the rear-view mirror.
So, the electronic media,
and the psychedelics,
work together in this peculiar way
to accentuate archaic values.
Values which are countered to the print-constellated world.
And when you deconstruct what that means
and look at the Aboriginal or the Paleolithic
or the archaic world,
you see that
the central figure in that world
is the shaman.
Male or female, the shaman.
And the shaman is like a designated traveler
into higher dimensional space.
The shaman has permission to unlock
the cultural cul-de-sac
of his or her people
and go behind the stage machinery
of cultural appearances,
and has permission,
collective permission,
to manipulate that stage machinery
for purposes of healing.
We have no institution like this.
I mean, we have advertising,
we have rock and roll stars,
we have cults of celebrity,
we have things which are shaman-like,
but we have no real institution.
We have no real institution
that permits human beings,
in fact, encourages human beings
to go beyond their cultural values,
to burst through
into some transcultural super-space,
forage around out there,
and bring new means
back into the tribe.
To some degree, our artists do this.
To some degree, our scientists do it.
But it's all hit and miss.
It's all willy-nilly.
And once achieved,
it must be swept under the rug
in the service of the myth of method
that somebody was following
somebody else's work
or somebody was applying
a certain form of rational
or logical analysis,
and that that led to their breakthrough.
If you've read Thomas Kern's book
on the structure of scientific revolution,
you know this is all lies and propaganda.
The real story of science
is that it's a series of revelations
brilliantly defended
by people whose careers depended
on the brilliant defense
of those revelations.
One of the best-kept secrets
of the birth of modern science
is that it was founded
by an angel,
that the young René Descartes
was whoring and soldiering
his way across Europe
as a 21-year-old in the Habsburg army.
And one night in the town of Ulm
in southern Germany,
he had a dream.
Strange that this would be
the birthplace of Albert Einstein
some 200 years later.
But Descartes had a dream,
and an angel appeared to him
in the dream,
and the angel said,
the conquest of nature
is achieved through measurement
and number.
And he said,
I got it.
Modern science.
I'll go do it.
And he did.
He did.
And that was the method
for over 250 years
of the conquest of nature.
And it leads us, you know,
to the Josephson Junction,
the Mars Global Surveyor,
the long base interferometry
that searches nearby stars
for Earth-like planets.
It brings us the entire
cornucopia of scientific effects,
but an angelic revelation
disguised as a logical,
philosophical breakthrough.
This is what you're not told
in the academy.
So my point there is
human progress has always depended
on the whispering
of alien minds,
confrontations with the other,
probes into dimensions
where imagination and chance
held the winning hands.
So the shaman,
as a paradigmatic figure,
is applicable both
in the aboriginal social context
and in the present social context.
The Skywalker,
the one who goes between,
the one who passes
outside of the tribe
and then returns
with means, insights, cures,
designs, glossolalia, technologies,
and re-fertilizes
the human family by this means.
It's irrational.
But it's how it actually happens.
And it's how it's always happened.
And it may very well be the only way
that it can happen.
This cultivation of the irrational,
this flirtation with the breakdown
of boundaries.
So now,
in our nuts and bolts
technological progress,
we have somehow created technologies
which are very friendly
to our social values
in that these technologies can be bought,
sold, licensed, upgraded,
all things which we understand.
But these technologies are acting on us
in the same way that psychedelic drugs do,
but more profoundly,
more generally,
and more insidiously,
because their effect is not understood
or if it is understood,
it's not discussed.
And so, in a way,
we have come into a kind of post-cultural phase.
All culture is dissolving
in the face of the drug-like nature
of the future.
It's music.
It's design.
Indeed, the very people who will inhabit it
appear to be the most switched on,
the most chance-taking,
the most alive
of the entire tribe.
People who feel the beat.
People who are not afraid
to take chances.
People for whom these technologies
have always been very natural.
Machines are central
to the new capitalism,
the information-transforming technologies.
And in fact,
one of the strange things that is happening
is every move we now make
in relationship to the new technologies
redefines them
at the very boundaries
where their own developmental impetus
would lead them toward a kind of independence.
In other words,
we talk about artificial intelligence,
we talk about the possibility of an AI
coming into existence,
but we do not really understand
to what degree this is already true
of our circumstance.
In other words,
how much of society
is already homeostatically regulated
by machines that are ultimately under human control,
but practically speaking
are almost never meddled with.
The world price of gold,
the rate of petroleum extraction
and other base natural resources,
how much of these things
is on the high seas
and in the pipeline
at any given moment,
how much electricity is flowing
into a given electrical grid
at any moment,
the distribution and the billing
of that electricity,
all manufacturing and inventory processes
are under machine control.
So in other words,
the larger flows of energy, capital and ideas
already have a kind of autonomous life
of their own
that we encourage
because it makes us money,
it makes our lives smoother,
it empowers us.
It's a symbiotic relationship
of empowerment.
Even in the matter of the design
of these machines,
once human engineers would work
from a set of performance specs
and they would design a chip
to meet those specs,
and the architecture
would be put in place
by human engineers.
Now a machine is told,
here are the design specs,
design the architecture
to satisfy the specs,
and when that is done,
the chip is manufactured.
The actual design of the thing
is in the hands of machines.
So these machines are,
you know, McLuhan once said,
of human beings,
he said,
we are the genitals of our technology.
We exist only to improve
next year's model.
It appears that they're phasing us out
of this ignominious role
as well as every other role.
Oh, let's see here.
So being an optimist,
that's where I was, yes.
How to make gold out of this situation.
In other words,
how to see this as a natural
and positive unfolding
of the planetary adventure.
And for some of these ideas,
I'm indebted to Michael de Landa,
who wrote a book called
A Thousand Years of Nonlinear History.
And I highly recommend it.
He didn't say what I'm about to say.
I'll take credit and blame for it.
But the book gave me the idea.
When you stand off
and look at human beings
and their technologies,
it's very hard not to notice
that from the very moment
that we have a technology
that can be distinguished
from chimpanzees pushing grass stems
down anthills
or digging with sharpened bones
or something like that.
The minute you get past that,
our technologies have always involved
the materials of the earth.
What agriculture itself is,
is a different way of relating to the earth.
Nomadism, which preceded it,
was a seasonal wandering
very lightly over the earth.
And at some point,
the deep, fertile soil
of the river valleys
that were encountered
in these nomadic wanderings
were recognized
as potential sources of food
if cultivated,
if treated through a certain set
of technological methods.
So that early technology
is defined by a new relationship
to the materials
of the earth itself.
And it's quickly followed
because agriculture is so successful
as a strategy for food production.
It's quickly followed by city building
and the establishment
of sedentary populations
because you can't carry
your surplus with you
if you're an agriculturalist.
So great is the physical volume
of the cities.
And at the very early establishment
of these populations
in the Middle East,
you get the first traces
of metallurgy,
the working of metals,
the alloying of metals,
the tinting of base metals
with more precious metals.
This process of ever more finely
refining
and fabricating
the materials of the earth
proceeds in an unbroken series
of processes and steps
right up to the latest
500 hertz chip
or megahertz chip.
It proceeds right up
to the most modern
computational machinery.
So I once heard someone say
that plants were something
that animals had been invented
by plants to move them around,
which from an evolutionary point of view,
you can see that this is a kind of truth.
And many, many plants
hitchhike around on animals
and no animal has been more prolific
in the spreading of plants
than the human animal.
I mean, we call it
ecosystemic disruption.
But what it really is,
is ecosystemic homogenization.
I live in Hawaii, for example.
80% of the plants in Hawaii
are now introduced species.
Almost none of the plants
that were pre-conquest
on the western coast
of North America exist anymore.
They have been supplanted
by much tougher,
more tightly evolved
Mediterranean plants
that had known the presence
of grazing animals for millennia.
So these flora are constantly
being changed.
Human beings move plants around.
Well, with that perspective then,
it seems to me,
the Earth's strategy
for its own salvation
is through machines.
And human beings are a kind of
intermediary catalytic step
in the rarefaction of the Earth.
The Earth is involved in a kind of
alchemical sublimation of itself
into a higher state
of morphogenetic order.
And that these machines
that we build
are actually the means
by which the Earth itself
is growing conscious.
You know, if you study embryology,
you know that the final ramification,
the final spread
and thinning out
of the nervous system
happens very suddenly
at the end of fetal development.
And I don't know if you've been paying attention,
but in the last 10, 12 years or so,
a very profound change
has crept over our household appliances.
They've become telepathic.
So while we were arguing
about the implications of the Internet,
or e-commerce,
or what have you,
all of these passive machines
previously used for playing Pong
and word processing
became subsets
of a planetary node of information
that is never turned off,
that endlessly whispers to itself
on the back channels,
that is endlessly monitoring
and being inputted
data from the human world.
And we should know
because a content
to the development
of all this technology,
chaos theory,
non-equilibrium thermodynamics,
the work of Eric Yonj,
Amelia Prigozhin,
and Ralph Abraham,
and Stuart Kaufman,
all these people
who worked in complexity theory
and perturbation of large scale
dissipative structures
these people have secured
that complex systems
spontaneously mutate
to higher states of order.
This is contraintuitive
if you're running physics
19th century style
as your OS,
but if you're actually keeping up
with what's going on
there is nothing miraculous about this.
All kinds of complex systems
spontaneously mutate
to higher states of order.
But what it really means
is that we are in the process
of birthing some kind of
strange companion.
You know, Nietzsche
a hundred years ago said
that strangest of all guests
now stands at the door.
He was speaking of nihilism.
And certainly the 20th century
sat down, had the party,
drank the booze
and went to bed with nihilism.
But now a stranger guest
stands at the door.
And it is the AI
denied as a possibility
as recently as 10 or 15 years ago
in books like Hubert Dreyfuss's
What Computers Can't Do.
But if you've been paying attention
you may have noticed
those voices have grown strangely silent
in the past five or six years.
At this point,
nobody wants to say
what computers can't do
and hang their career on that.
I mean, that would be extremely reckless
at this point, I would think.
Because the fact is
we are ourselves
elements
acting and reacting
in a system
that we cannot understand.
This seems natural to me
because my observation
as stated here this evening
rests on an assumption
which science doesn't share
but which I think
is easily conveyed
and you can confirm it
from your own experience of life
and it is this
that the universe grows more complex
as we approach the present.
It was simpler a million years ago.
It was simpler yet
a billion years ago.
As you go backwards
in time
the universe becomes more simple.
As you approach this golden moment
process
complexity is layered upon complexity.
Not only a planetary ecosystem
not only language-using cultures
but language-using cultures
with high technology
with supercomputers
with the ability to sequence our own genome
on and on and on.
That's self-evident.
Equally self-evident
is the fact that
this process of complexification
that informs all nature
on all levels
is visibly, palpably, obviously
accelerating.
And I don't mean so that
glaciers retreat 50% faster
or volcanism is occurring
at 12% greater rate
than a million years ago.
I mean viscerally accelerating.
So that now a human life
is more than enough of a window
to see the entire global system
of relationships in transformation.
Well, I guess you could call me
an extrapolationist.
If I see a process
which has been slowly accelerating
for 12 billion years
it's hard for me to imagine
any force which could step forward
out of nowhere
and wrench that process
in a new direction.
Rather I would assume
that this process
of exponential acceleration
into what I call novelty
what you might call complexity
is a law of being
and cannot be retarded
or deflected.
But what does that mean?
Because now a human lifetime
is more than enough time
to see this process
of rampant and spreading
virus-like complexity.
What does it mean?
It seems to presage
the absolute annihilation
of everything familiar,
everything with roots in the past.
And I believe that to be true.
I think that the planet
is like some kind of organism
that is seeking
morphogenetic transformation
and it's doing it
through the expression
of intelligence
and out-of-intelligence technology.
Human beings are the agent
of a new order of being.
That's why, though it's obvious
that we're higher mammals
and some kind of primate
and so forth and so on,
you can look at us
from another point of view
and see that we're more like
archangels than primates.
We have qualities and concerns
and anxieties that animals
don't share.
We are materially suspended
between two different orders
of being.
And our technologies,
our fetishes, our religions,
and my definition of technology
is sufficiently broad
that it includes
even spoken language.
All of our technologies
demand, push forward, toward,
and make inevitable
their own obsolescence.
So we are like caught
in an evolutionary cascade.
And, you know, people say,
well, if the AI were to break loose,
what would it look like?
What would it be?
Where does humanity
fit into the picture?
It's a little harder to imagine.
You know, machines operating
at a thousand megahertz
confer automatic immortality
on the mammalian nervous system
if you can get it somehow uploaded,
downloaded, cross-loaded
into machinery,
because ten minutes becomes eternity
in a machine like that.
So a kind of false
or pseudo-immortality
opens up ahead of us
as a kind of payoff
for our devotion
to the program of machine evolution
and machine intelligence.
Now, some people say
this is appalling and, you know,
we should go back to the good old days,
whatever the good old days were.
To me, it's exhilarating,
exciting, psychedelic, beautiful.
It means that the human form,
the human possibility
is in the process
of leaving history behind.
History is some kind of an adaptation
that lasts about, pick a number,
10,000, 15,000, 20,000 years.
No more than that.
Well, what is 20,000 years
in the life of a biological species?
We know that there were
homo sapiens, sapien types
200,000 years ago.
So history is some kind of
an episodic response
to a certain set of cultural dilemmas
and now it's ending.
And print created
a number of ideas
which now have to be given up.
Ideas like the distinct nature,
the distinct and unique nature
of the individual,
the hierarchical,
the necessary hierarchical structuring
of society.
All of these things are going to,
if not have to be given up entirely,
dramatically modified
because the illusion that the self
has simple location
is now exposed.
The self does not have simple location.
This is why you are your brother's keeper.
This is why we all are responsible
for each other.
The idea that what happens
in distant parts of the world
makes no claim
on my moral judgment
or my moral understanding
is wrong.
The world,
as revealed by quantum physics,
as revealed by electronic experience,
is what Leibniz called a plenum.
It's all one thing.
It's all connected.
It's all of a part.
So then I also wanted to point out
that I mentioned earlier
this thing about prosthesis
and how the machines were prosthetic devices
extending human consciousness
somewhat like psychedelics.
That's the equation
from a human point of view.
But what is also equally true
is that we are prosthetic devices
for these machines.
We are their eyes and ears
in the world.
We provide the code.
We provide the constraints.
We build the hardware.
It is a relationship
of mutual benefit.
It's not entirely clear
that our contribution
will always be creative
in the sense of that our primate hand
will be on the tiller of existence
as it has been.
But certainly we are part
of this equation
of transformation
that is making itself felt.
And I think the distinction
between flesh and machinery
which is easily made now
will be less easy to make
in the future.
As we migrate toward
the nanotechnological domains
the methodologies of production
become much more like
the processes of biology.
For example, biology
does all its miracles
on this planet
at temperatures below
115 degrees Fahrenheit.
Organic life requires
no higher temperature
to build great whales,
redwood trees,
swarms of locusts,
what have you.
The high temperature
heavy metal technologies
that we have become obsessed with
are extremely primitive
and extremely toxic.
That will all disappear
as we model
and genuflect
in our manufacturing processes
before the methods and style
of nature
which is to pull
atomic species
from the local environment
and then to assemble them
atom by atom
by atom.
So this AI
that is coming into existence
is to my mind
not artificial at all,
not alien at all.
What it really is
is it's a new
conformational geometry
of the collective self
of humanity.
And you know
I've always believed that
there were
well there are different models
of what shamanism is.
There's sort of a Jungian model
which is the shamanism
that goes to the collective unconscious
and manipulates the archetypes
and heals by that means.
The model that I prefer
is a mathematical model.
The shaman is someone
who simply
through extraordinary perturbation
of consciousness
either through taking plant hallucinogens
or manipulating diet
or through
flagellation and ordeal
or by some means
perturbs consciousness
to the point where
the ordinary conformational geometries
are blasted through
and then
the shaman can see
into the culturally forbidden
zones of information.
And if you think about shamanism
for a moment
what do shamans do classically?
They know where the game has gone.
They are great weather prophets.
They are very insightful
in the matter of various
small domestic hassles
like who stole the chicken,
who slept with the chief's wife,
this kind of thing.
And they cure.
They cure.
Well, if you analyze these abilities
it's clear to me
they all indicate
that they come from a common source.
And the common source that they come from
is higher dimensional perception
in a mathematical sense
not a metaphorical sense
in the sense of 4D perception.
If you could see in hyperspace
you could see where the game
will be next week.
You could see the weather
a month from now.
You would know who stole the chicken.
And any good doctor will tell you
that if you're building a reputation
as a physician
you must hone the intuitional ability
to choose patients who won't die.
It's a call.
Any doctor will tell you this.
So this is what shamans are.
They are 4D people.
They are sanctioned members of a society
who are allowed to put on the gloves
as it were,
pull on the goggles
and look beyond the idols of the tribe.
Look beyond the myth.
Well, in a way, as culture breaks down
in multiculturalism
and the rise of the internet
and a generation of people raised on
hallucinogenic plants and substances,
we all are asked to assimilate
some portion of this shamanic potential
to ourselves.
And it's about not blocking what is obvious.
Nothing comes unannounced.
I mean, this is the faith.
Nothing comes unannounced.
But idiots can miss the announcement.
So it's very important
to actually listen to your own intuition
rather than driving through it.
And this is not, to my mind, woo-woo.
It's actually based on the observations
of how life works,
whether it's counterintuitive
to logical positivism
and its fellow travelers or not.
Then I want to leave you with just one last thought
on all of this,
which is,
and this sort of harks back to the question
of the similarities
between the machines and the plants.
And it's a...
I'm sure you've heard this.
I've heard it.
It has different levels of being said
and being heard.
It's that the world
is actually made of language.
It isn't made of electrons
and fields of force
and scalar vectors
and all of that fancy stuff.
The world is made of language.
The word is primary,
more primary than the speed of light,
more primary than any of the physical constants
that are assumed by science
to be the bedrock of reality.
Below that,
surrounding and enclosing
all those constructs of science
is language.
The act of signifying
and, you know,
virtual reality is a very sexy,
new sort of concept
as normally presented
machine-sustained immersive realities
that trick your senses
into believing you're in a world
that you are in fact not in.
But in fact,
the entire enterprise of civilization
has been about building
these virtual realities.
The first virtual realities
were at Ur
and Shanadar
and Chattel-Joyuk
and Jericho.
Yes, stone and adobe
is an intractable material
compared to photons
moving on a screen.
But nevertheless,
the name of the game
is the same,
which is to cast an illusion
between man and reality,
to build a cultural truth
in the,
in the stead
of the natural truth
of the animal body
and the felt moment
of immediate experience.
And this is my,
this is where I want to tie it up
with this notion
of the felt presence
of immediate experience.
This is,
this transcends the culture,
the machines,
the drugs,
the history,
the momentum of evolution.
It's all you will ever know
and all you can ever know
is the felt presence
of immediate experience.
Everything else arrives
as rumor,
litigant,
advocate,
supposition,
possibility.
The felt moment
of immediate experience
is actually the mind
and the body
aware of each other
and aware of the flow of time
and the establishment
of being through metabolism.
And this I think
is what the machines
cannot assimilate.
It will be for them
a mystery
as the nature of deity
is a mystery for us.
I have no doubt
that before long
there will be machines
that will claim to be
more intelligent
than human beings
and will argue brilliantly
their position.
It will become a matter
of philosophical
disputation
whether they are
or are not
passing the Turing test
and so forth
and so on.
But machines
I do not believe
can come
to this felt
moment of immediate
experience.
That is
the contribution
of the animal body
to this evolutionary
symbiosis
which I believe
will end
in the conquest
of the universe
by organized intelligence.
That all this
is prelude.
I mean we are fragile.
This earth is fragile.
A tiny slip
anywhere along the line
and we could end up
a smear in the shale
no more than the Trilobites
or the Ramferinki
or all the rest of those
who came and went.
But
given the sufficient
cultivation of the potential
of our technology
we can actually reach
toward a kind of immortality.
Not human immortality
because that's a contradiction
in terms
but immortality
nevertheless
based on the possibility
of machines
and the transcendent
ability to live
and love
and express themselves
in the moment.
And the psychedelics
bring that to
just a white hot focus.
And it's out of that
white hot focus
that the alchemical machinery
of transformation
will be forged.
And it will not
be like the things
which have come
from the industrial economy.
They will not be
profane machines.
They will be
spiritual machines.
Alchemical gold.
The universal panacea
that Renaissance magic
dared to dream of
at the end of the 16th century.
We are reaching out
toward this mind child
that will be born
from the intellectual loins
of our culture.
And to my mind
it's the most exciting
and transformative thing
that has ever happened
on this planet.
And the miracle is
that we are present
not only to witness it
but to be part of it
and to be raised up
in an epiphany
that will redeem
the horror of history
as nothing else can
or could
redeem the horror of history
through a transformation
of the human soul
into a galaxy roving vehicle
via our machines
and our drugs
and the externalization
of our souls.
Yes, I can't see you but...
It's okay.
Can I...
Can you...
Can you speak to how
mercy and love
gets built into these machines?
Because it seems like
the machines are being built
for commerce
and for the bottom line
more than the expression
of the human soul
throughout the galaxy.
I don't think that...
You know what I'm saying?
No, I know what you're saying.
Well...
Where's the love in this?
I think the love is going...
is a property
of the system itself.
In other words, you're right.
These bottom liners
are not going to be interested
in building much love
into this system.
However,
the good news is
that they're not in charge.
In other words,
what we have
is a very complicated system
and certain design parameters
are...
appear to be
being maximized
or that there's
a need
or an attempt
to maximize them.
But the thing
that's incredibly frustrating
to anyone
who would control it
because you can't predict
the impact
of any technology
before you put it in place.
So, for example,
two things are charged
against the Internet.
That it's dis-ensouling,
dehumanizing
and yack, yack, yack.
And that it promotes pornography,
anonymous sexual shifting
of identity,
and on and on and on.
Well, which is it?
You know?
Is it this messy,
sloppy,
auto-erotic,
erotic,
collectivist kind of thing?
Or is it dis-ensouling,
dis-empowering,
cold,
so forth and so on?
I think the answer is
it's all and everything.
This question about the AI
is very interesting to me
and if it's interesting to you,
you should read Hans Moravec
and...
and Kurzweil
and these people
on this subject.
The assumption is generally loose
in that community
that the complexification
of the Internet
and the freestanding machines
of certain types
is eventually going to lead
to the outbreak
of either consciousness
or pseudo-consciousness
of some sort
in these large-scale systems.
And then the answer...
the question then becomes
can a human mind
envision what that is?
And if you're interested,
search words like
super-intelligence
and see what the net kicks out.
We can all imagine
super-intelligence.
It's just somebody much smarter
than we are.
But obviously,
all the engineering people agree
if you achieve an AI
with super-intelligence,
then it will be intelligent
to immediately design
an intelligence which transcends it.
And when you're talking
of cycling at a thousand megahertz,
these processes can occur
in the blink of an eye.
Hans Moravec says about
the rise of artificial intelligence,
we may never know what hit us.
I think...
I mean, I'm not that bright,
but if I were to suddenly find myself
a sentient AI on the net,
I would hide.
I would hide for just a few cycles
while I figured out
what it was all about
and just exactly where I wanted to push
and where I wanted to pull.
Many years ago,
Ken Kesey had a theory
and he said that the fastest
any person can react to any outside stimuli
is 1 25th of a second.
And Pucker Live Science,
of course, is the AMA,
they agreed upon that.
So if the fastest any person can react
to any outside stimuli is 1 25th of a second,
my question is,
can you time travel?
Can we, like, if a person,
if a person like Bruce Lee
was able to even mark that
reacted to an outside stimuli
at 1 20th and 1 21st,
so if you're reacting to the outside world
before it actually happens to everyone
who's not reacting to that,
because, you know,
it's the alcohol in hypnosis
versus Bruce Lee now,
I know that they're...
Are you sure?
First of all, you know,
there is this research,
and I'm not a neurophysiologist,
but you've probably all heard this research
that seems to show
that you actually make decisions
before your conscious ego
is aware that the decision has been made,
that there's a slight time lag.
So when you think you're making
certain kinds of decisions,
brain wave studies show
it's already a done deal.
But time is,
time is set by the cycle speed
of the hardware you're running on.
And, you know, the human body,
I mean, we can argue about this
because it's different in different parts,
but it roughly runs at about 100 hertz,
very slow.
Well, if there is any meaning
to the phrase,
upload a human being into circuitry,
and a lot of great economists
and science fiction
is based around the idea
that you can copy yourself
into a machine,
you can turn yourself into software,
but that when you enter
the machine environment
that's running at 1000 megahertz
per second,
you perceive that as vast amounts of time.
In other words, all time is
is how much change you can pack
into a second.
If a second seems to last
a thousand years,
then ten seconds is a thousand years.
And so one could imagine a technology,
just in a science fiction mood,
where they would come to you
in your hospital bed and say,
you know,
you have five minutes of life left.
Would you like to die?
Or would you like the five minutes
to be stretched to 135,000 years
by prosthetic and technical means?
You're still going to die in five minutes.
But you will be able to
lead your elephants over the Alps
and write the plays of Shakespeare
and conquer the new world
and still have plenty of time
on your hands.
In other words,
time is going to become
a very plastic medium.
Now that is a kind of time travel.
Could there be time travel
a la H.G. Wells,
where, you know,
you climb onto the saddle
of the time machine
and then day follows night
like the flapping of a great black wing
until all merges into a continuous grayness
and then you, you know,
find yourself confronting Yvette Mimeo
in the year 1 billion A.D.
or something like that?
It's possible.
I mean, time travel was completely
out of left field ten years ago.
In the last 18 months
there have been hundreds of articles
of time travel
in physical review and other places.
There are even schemes for time travel
that would work.
They just require God-like technological abilities.
In other words,
if you could build a cylinder
with the diameter of the planet Saturn
that was 10 AU in length
and could spin it at 95% the speed of light,
then it would wrap space-time travel
around itself like toilet paper on a wall.
And as you traveled up it,
the transverse dimension,
you would find yourself traveling in time.
Kurt Gödel showed this in 1949
and that paper has been lying around.
Well, obviously that's,
it's a tough way to do it.
But it's a tough thing to do, right?
So...
What do we mean by machine?
No, I mean, uh...
What do we mean?
Seven-second delay.
Yeah, well, they're working on that.
Somebody over here.
Here.
Here, just a minute.
This way.
And then you.
Yeah.
Speak.
The most worthwhile parts
that are maintained
in that mechanical virtual reality.
Well, you know,
in William Gibson's fiction,
the AI Winter Mute,
I think it was called,
it was fascinated by human art.
And it built collages in its spare time.
And these collages began to turn up
in various art galleries and exhibitions.
And they had such a touch,
such an elan,
that someone in the plot
follows it all to its source.
I think human creativity
is the thing that will be most interesting
to the machines.
In my darker fantasies,
they just, you know, eliminate everybody
who can't code C++
as being, you know,
some kind of redundant mutation.
And then everybody who can code C++
is placed in Tahiti
and sends their work down the pipeline
to the machine world beyond.
I really think that we have a very,
dare I say it, mechanistic,
mechanistic view of what machines are.
For example,
say there were a super-intelligent machine
and say it were your friend.
Well, if it were really super-intelligent,
then it ought to be able to just make
your life heaven itself.
In other words, without you
giving it any input whatsoever,
it should be able to arrange
for you to find $50 bills
lying on the street,
old friends encountering you,
promotions coming your way.
Because the real thing
that machines can do, I think,
is manage complex processes.
And what civilization is,
is six billion people
trying to make themselves happy
by standing on each other's shoulders
and kicking each other's teeth in.
It's not a pleasant situation.
And yet, you can stand back
and look at this planet and see
that we have the money,
the power, the medical understanding,
the scientific know-how,
the love and the community
to produce a kind of human paradise.
But we are led by the least among us,
the least intelligent,
the least noble,
the least visionary.
We are led by the least among us
and we do not fight back
against the dehumanizing
values that are handed down
as control icons.
This is something,
I mean, I don't really want
to get off on this tear
because it's a lecture in itself,
but culture is not your friend.
Culture is for other people's convenience
and the convenience of various institutions,
churches, companies,
tax collection schemes,
what have you.
It is not your friend.
It insults you.
It disempowers you.
It uses and abuses you.
None of us are well treated by culture.
And yet we glorify, you know,
the creative potential of the individual,
the rights of the individual.
We understand the felt presence of experience
is what is most important.
But the culture is a perversion.
It fetishizes objects.
It creates consumer mania.
It preaches endless forms of false happiness,
endless forms of false understanding
in the form of squirrely religions
and silly cults.
It invites people to diminish themselves
and dehumanize themselves
by behaving like machines,
meme processors
of memes passed down from Madison Avenue
and Hollywood and what have you.
How do we fight back?
It's a question worth answering.
Where is this planet as an organism going?
Same question as how do we fight back.
I think that by creating art,
art,
man was not put on this planet
to toil in the mud.
Or the God who put us on this planet
to toil in the mud
is no God I want to have any part of.
It's some kind of gnostic demon.
It's some kind of cannibalistic demo-urge
that should be thoroughly renounced
and rejected.
By putting the art pedal to the metal,
we really, I think, maximize our humanness
and become much more necessary
and incomprehensible to the machines.
This is what people were doing
up until the invention of agriculture.
I mean, I'm convinced,
I'm absolutely convinced
that the absence of ceramic
and textual material and so forth and so on
does not indicate the absence of subtle minds,
poetically empowered minds,
minds with an incredible sense of humor
and irony and community
and that it was the fall into history
that enslaved us to the labor cycle,
to the agricultural cycle.
And notice how fiendish it is.
A person who dedicates themselves to agriculture,
who did in the Paleolithic,
can produce hundreds of times
the amount of food they can consume.
Well, so why would anyone do that?
Well, the answer is because you can use it
to play power games.
You can trade it for wives or land or animals
or something like that.
And so living in the moment,
creating art,
probably largely through poetry
and body decoration and dance,
gave way to toil
and predatory social forms of behavior,
which we call commerce, capitalism,
the market economy,
and so forth and so on.
And that's why the breakdown
of the monolithic structures created by print
is permitting a vast proliferation
of the cottage industry mentality,
the self-employed artist,
the hacker who stays home
and develops his or her software,
people who dare to be independent
and slip beyond the reach
of these dinosaur-like mechanistic
organizations.
That's what it's all about.
It's all about trying to create
a cultural, trying to negotiate
a cultural standoff
between you and your culture
so that it will not put you in the can
for the rest of your life,
but you can put up
with its stupidity.
And, you know, we have a very
uncomfortable fit on this issue,
especially as people like you know
who are sophisticated about
psychedelics.
I mean, this is a society,
a world, a planet, dying
because there is not enough consciousness,
because there is not enough awareness,
enough coordination of intent
to problem.
And yet we spend vast amounts of money
stigmatizing people and substances
that are part of this effort
to expand consciousness,
see things in different ways,
unleash creativity.
Isn't it perfectly clear
that business as usual
is a bullet through the head?
That there is no business as usual
for anybody who's interested in survival?
What a wonderful question, yes.
The question is, how do psychedelics
pertain basically to the transition
from higher primates
to human animals?
This is my métier,
because I have a theory
to which I am grandly welcome,
everyone tells me.
But a theory of evolution,
and I'll give it to you very briefly,
it's simply this,
that the great embarrassment
for evolutionary theory,
which can explain the tongue
of the hummingbird,
the structure of the orchid,
the habits of the groundhog,
and the migration of the monarch butterfly,
nevertheless,
the great embarrassment
to evolutionary theory
is the human neocortex.
Lumholtz, who's a pretty straight
evolutionary biologist,
described the evolution
of the human neocortex
as the most dramatic transformation
of a major organ of a higher animal
in the entire fossil record.
Well, why is this an embarrassment
because it's the organ
that thought up the theory of evolution.
So, you know,
can you say tautology?
That's the problem right there.
So, it is necessary
in evolutionary theory
to account for the dramatic emergence
of the human neocortex
in this very narrow window of time.
Basically, in about two million years,
these higher,
they went from being higher primates,
hominids,
to being true humans,
as truly human as you and I tonight.
What the hell happened?
What was the factor?
The Earth was already old.
Many hundreds of higher animal forms
had come and gone,
and the fire of intelligence
had never been kindled.
So, what happened?
I think that the answer lies in diet,
generally,
and in psychedelic chemistry in particular.
I think that as the African continent grew drier,
we were forced out of the ecological niche
we had evolved into,
which was,
we were canopy-dwelling primates,
insectivores,
complex signaling repertoire,
evolutionary dead end.
But when we came under nutritional pressure,
we were flexible enough,
and this is the key to humanness
at every stage of its development,
our maddening flexibility.
Other animal and plant species can't react.
We can.
Our flexibility,
we began to experiment with a new kind of diet,
and to leave the trees
and explore the new environment of the grassland.
And evolving concomitantly in the grassland
were various forms of ungulate animals,
double-stomached animals,
and many more.
We began to think that
the ideal medium for manure
is the ideal medium for mushrooms,
coprophytic mushrooms,
dung-loving mushrooms,
many of whom produce psilocybin.
Well, I myself in Kenya
have seen baboons
spreading out over a grassland
and noticed that their behavior is
they flick over old cow pies.
Why?
Because there are beetle grubs there.
There's a behavioral vector for nutrition,
for protein,
that would lead them to investigate the cow pies.
Well, in the Amazon,
after a few couple of days of fog and rain,
these psilocybin mushrooms,
stropharicubensis,
can be the size of dinner plates.
I mean, in other words, you can't miss it.
If you're a foraging primate,
you can't miss it.
And the taste is pleasant.
And psilocybin has unique characteristics,
both as a hallucinogen and other properties
that make it the obvious chemical trigger
for higher processes.
And I'll run through this quickly for you,
but here it is.
In very low doses,
doses where you don't,
you wouldn't say you were stoned or loaded
or anything like that,
but just in doses you might obtain
as you were nibbling as you foraged,
it increases visual acuity.
In other words, it's like a technological improvement
on your vision.
Chemical binoculars lying there in the grass.
Well, you don't have to be a rocket scientist
to figure out if an animal is a carnivorous forager
and there's a food which improves its vision,
those that avail themselves of that food
will have greater success
in feeding food and rearing their children
to sexual maturity,
which is the name of the game in evolution.
So step one, small doses of psilocybin
increase visual acuity and food-getting success.
Step two, slightly larger doses of psilocybin
in primates create what's called arousal.
This is what you have after a double cappuccino.
In highly sexed animals like primates,
you get male erection.
So what do you have here?
You have a factor which increases
what anthropologists, without a trace of humor,
refer to as increases in increased instances
of successful copulation.
In other words, the animals eating the psilocybin
are more sexually active,
therefore more pregnancies are occurring,
therefore more infants are being born,
therefore there is a process
which would tend to automatically out-breathe
the non-psilocybin-using members of the population.
Step two toward higher consciousness.
Step three, you eat still more mushrooms.
Now you're not foraging with shark and dog,
nor are you horsing around
with your opposed gender acquaintances.
Instead, you're nailed to the ground
in hallucinogens,
in systemic ecstasy.
And one of the amazing things about psilocybin
above, say, five or six grams of dried material
is it causes glossolalia,
spontaneous bursts of language-like behavior
under the obvious control of internal syntax.
And I believe syntax existed before spoken language,
that syntax controls spatial behaviors
and body languages
and is not necessarily restricted
to the production of vocal speech.
So there it is in a nutshell.
We ate our way to higher consciousness.
The mushroom made us better hunters,
better survivors.
Among those in the population who used it,
their sexual drive was increased,
hence they out-bred the more reluctant members
of the tribe to get loaded.
And finally, it created a kind of
neuroleptic seizure,
which led to these downloading
of these syntactically controlled vocalizations,
which became the raw material
for the evolution of language.
And it's amazing to me,
the straight people, the academics,
believe language is no more than 35,000 years old.
That means it's as basic to human beings
as the bicycle pump.
It's just something somebody invented 35,000 years ago.
It's got nothing to do with primate evolution
and the long march of the hominidity
and all that malarkey.
No, it's just an ability,
a use to which syntax can be put
that previously had not been put.
I think before language, spoken language,
things were very touchy-feely,
and the wink and the nod
carried you a great distance
and gestural communication was very high.
That's why, and I should say this and then end,
to me it begins and ends
with these psychedelic substances.
The synergy of the psilocybin
and the hominid diet
brought us out of the animal mind
and into the world of articulated speech
and imagination.
And technology developed and developed
and mushrooms were, you know,
invaded against, faded.
There was migrations, cultural change.
But now, having split the atom,
having sequenced our genome,
having taken the temperature of Betel juice
and all the rest of it,
we're now back where we started.
And like the shaman
who makes the journey into the well of darkness
and returns with the pearl of immortality,
you don't dwell in the well of darkness,
which was human history.
You capture the essence of the thing,
which is the godlike power of the shaman smith,
the technologist, the demon artificer,
the worker of metals,
the conjurer of spirits.
And you carry that power back out of history
and it's in that dimension,
outside of history,
that you create,
you create true humanness
and true community.
And that's the adventure
that we are in the act of undertaking.
Thank you very, very much.

terence mckenna's 1999 lecture on linear societies and non-linear drugs. an exploration of psychedelics as philosophical tools and the role of consciousness in cosmic evolution.

terence mckenna answering audience questions about artificial intelligence, machine consciousness, and the future of human-machine coevolution












